supposed it to be a convent, which conjecture was strengthened by the approach of a priest proceeding towards it. As I had ever found the holy fathers to be social and communicative, I accosted him, and began to make inquiries about the large prison-looking abode before us. He in formed me that it was not a convent, but an asylumn for insanity, containing inmates from many different parts of Spain; and proffered his services to procure me admission, in case I felt any curiosity to visit its cells. Although the exhibitions of a madhouse are of the most painful description, I felt a strong desire to behold them, even as we feel a fatal impulse to leap from the precipice into the gulf from which the flesh shrinks and recoils. I therefore accepted the offer of my conductor, and proceeded along with him to the asylum, whose massy portals opened at his call, and closed after us with a hoarse and sullen sound. · Upon entering the drear abode, my ears were assailed with strange and discordant sounds, blending in wild chorus. The voice of laughter, "where laughter is no mirth," the groans of despair and shouts of unearthly glee, echoed by the clanking of chains and the sound of the keeper's lash, rung through that hell of human agony, whose dwellers, like the benighted blind, dwelt in darkness at noonday.There might be seen every species of mental aberration,-madness with its "phantom crown' and fettered hands, and melancholy,-deep, religious and hopeless melancholy, struck into despair by the terrors of a world to come, deeming itself already in the place of lost souls, and sitting mute in the blackness of darkness. But who may unveil the visions that beset the maniac's cell,-perchance more wild and incongruous than the horrors that haunt our most fevered dreams! The sights around me soon became so intolerable that I was about to leave the place, when all at once there arose from a neighbouring cell a strain of music, at first low and faint, as a sigh struggling into sound, or such as breaks upon our dreams. I never heard its like before, and never shall again. If sorrow could mingle with the songs of the blest, I might have deemed it the anthem of a departed spirit; but no, it was a strain of earth, the breathings of a woman's voice and of a broken heart, which longed to be at rest. I could not intrude upon such sacred but when at last the strain died sorrow; away into silence, I entered the cell, and in its dim light beheld a young female of exquisite symmetry sitting in an attitude of deep dejection, with her brow resting upon her hands. She raised her head at my approach, and in a maze of horror, as if I had beheld a visitant unveiled from the world of spirits, my gaze grew fixed and frozen upon the face of Francesca Zamora ! As soon as the mist had passed from my brain, and the stupor from my heart, I inquired of the keeper what he knew respecting her; but the only information he could give amounted to this, that she had been brought to the neighbouring village by some shepherds, who had found her wandering among the wild recesses of the mountains, half-famished with hunger; and as she could give no account of herself whatever, and was evidently labouring under mental derangement, she had been received into the asylum, where she had since remained in the state in which I then beheld her. I drew near and addressed her by name, and tried, by every means I could devise, to awaken some slumbering recollection, and to strike some chord of her heart; but all in vain. With a cold vacant gaze she regarded me for a moment, and then bowed down her head as before, and sunk into a profound silence. I could endure the sight no longer, and quitted the mournful scene. Upon arriving at Lisbon, I lost no time in transmitting an account of what I had seen to the friends of Francesca, and to Edwards. But the tale of sorrow never met his ear, for ere my letter had arrived at the British camp he was far beyond the reach of bad news,-he had fallen in battle! Tales of Field & Flood. stains This matin sweet, these breezes, this broad sun And glorious scenery have assoil'd me from! Oh! to be blest with health, and (boon more rich) To meet the morning splendours with an eye TOWARDS midnight I had managed to fall into an uneasy kind of dose, from which I was aroused by a strange and astounding clamour. The ship was lying down nearly on her beam-ends, the waves rushed madly past her sides, and the wild blast mourned shrilly and sadly on the night air, dashing the loose sails against the masts with the noise of thunder; while, at intervals, the voices of the crew mingled with, or rose above the elemental clamor. Presently, I recognized the voice of Sellis issuing a peremptory command. Instantly there was a confused trampling of feet overhead, a clattering of blocks and slackened cordage, and a voice, broken by a thousand fogs, dismally summoned, "All hands, reef topsails! I am not ashamed to confess that I clung to my hammock in considerable trepida tion; but when the master-at-arms pre-. sented himself at my side, and demanded, "Why the h― I did not turn out?" I fairly shivered with affright. "Come, come," said he, rudely shaking me by the shoulders; "every one that cracks a biscuit in this ship must do something for it." Resistance I knew to be wholly unavailing; I quitted my hammock, and, scarcely aware of what I was about, drew on my trowsers, and followed him up the companion ladder, my teeth chattering with cold and apprehension. The night was pitchy dark; and the ship, close upon a wind, drove furiously through the long heavy sea, occasionally throwing up vast sprays from under her bows, and flooding her decks fore and aft sky above, and sea beneath, presented alike black and dismal murkiness, save a long line of phosphoric radiance, which the vessel left behind her, and the momentary dismal brightness that succeeded to the breaking of each long swell as it swept across her laboured track. The wind came in sullen gusts, for a moment laying the ship nearly on her broad side, and straining her every spar and timber in a fearful manner; and then dying away, left her rolling and pitching in the trough of a tremendous sea. One of these squalls had just spent itself as I put my head on deck, and the cross swell catching the ship on her weather quarter, bore her larboard bow under water; but as suddenly righting herself, the masts creaked and nodded, as though about to fall, the sails (thrown back for the moment) fluttered loosely against them with a tremendous noise; and the deluge of water she had taken in forward descended again to its parent source with the force and noise of a cataract. My tormentor, the lieutenant, (Sellis); immediately perceived me, and said, "Ha, ha, shipmate, is it you? come jump into the mizen-rigging. Let go the topsail halyards!" he sung out in an authoritative tone. 66 voice. Ay, ay, Sir!" responded a gloomy I I could scarcely see my hands before me, but as remonstrance would only subject me to some new mortification, groped my way to the weather rigging; and when all else had began to ascend, 1 placed my feet in the lanyards, and cautiously followed them to the topsail yard. For the service I was of, I might quite as well have remained on deck. Absolute terror utterly incapacitated me from any exertion, save that of clinging with convulsive tenacity to the yard. Suspended on the tottering spar over the midnight and stormy sea-a false stepa sudden yaw of the ship, might sweep me into its inexorable vortex; and before I was missed, she might have passed miles on her trackless way. I thought. of this, and my faculties and limbs seem. ed paralyzed. When I again found myself safe in my hammockB. AGNES:-A SWISS TRADITION. (For the Olio.) The snow was on the mountain side, 'Tis thus some hope will often steal More sad than when it first was grieved: And now the faint and feeble ray But came, 'twould seem to fade away. At which the gazer's brow must bend, It has on earth a resting place; Of closing night, when thought has power The snow is pure, and human tread I will not say how Agnes met The stranger form that wooes her now, Were never seen to sparkle so, A wilder'd traveller faint and pale, And many a day he tarried there, The stranger-he was young and gay, That lures the struggling heart ofttimes Till guilt and shame and sin are done. And can we muse, when Agnes heard Or the high mountain's mighty steep, Ah! can we muse, that she who ne'er Should know nst till the ruin is o'er, own. Of meeting, and would ring the knell, How he was loved, how she was dear. And now the spoiler's foot has press'd For ruin, bitter ruin, has cross'd A thought upon the yesterday! She tries, alas! but cannot pray; The ruin that his guilt has wrought, Or kneels he but to lure the more What though he kneels? he would not bow Such is his vow, he need not swear, Has heard the stifled prayer of pain, NOTWITHSTANDING that Swift and Pope are said to have assisted Gay in completing his work, the Beggars' Opera;' and, that its popularity, when first represented, was unparalleled in the annals of dramatic representation: - however apt the political allusions to the times and their leading political characters, who figured at the head of national affairs; and also, that a vein of humour run through the lyrical versification adapted to old tunes and fine old English melody. I cannot think the evidence sufficiently strong to justify this Opera in the present day with the feminine cast for its hero. Of the persons in the drama, there is not one who can be conscientiously selected either for precept or example. Captain Macheath is the chief in the picture, and the foremost on the canvass. But who is he? And what does he do? Like many other captains, he is a highwayman and libertine, entertains highly sensitive notions of honour, and idolizes himself in the notion that he is a correct portrait of a gentleman. With a personable appearance, a good voice, and a taste for singing, he captivates credulous females to suit his purpose; and, as it might be expected, abandons them by caprice, and resigns himself to be executed without a sigh. As one vice generally accompanies another, so does the Captain drink hard to drown reflection, which ought to be alive to the responsibility of approaching dissolution, rather than to be deadened into composure and insensibility. That such a man has been and is-is no palliation for crime. Macheath is a criminal decidedly. Notorious and courageous, he glories with impunity, and is brave without virtue. This quality, from beginning to end, does not redeem his heart by compunction or sincere repentance. The frailty of his human nature is too gross to be refined by abstract impulse. What is worse-he is left to himself without an adviser. As he is personated in the present day, by merely asserting what he before contradicted, that he will take Polly as his lawful wife to escape the drop; he is entirely freed from the hands of justice, and open to the same course of life. That by taking Polly to be his lawful wife, I admit is just, since she may be supposed to have obtained his pardon. But after all, is not the Captain's character drawn purposely to shew the political tendency of a wicked great man, or a great wicked man? Whether it is or not, yet I cannot think with many writers that the tendency of the great captain!' is beneficial for example, or excellent for precept. an interest in the composition, with all If Swift had taken, or did actually take, his celebrity, he was an indelicate writer. Pope was little better in his colloquial character. indicates the thoughts and feelings of its The Beggar's Opera,' tried authors, who have written works of immortal and imperishable duration, in which the Opera in question must not be indexed. It is a singular inconsistactor of his day. ency to put a female into this principal She is selected, I shall be told, on account of the songs and her capability for executing them.This would appear a cogent reason, if modesty has abandoned the histrionic sphere; but otherwise, it is culpable in the extreme. That Madame Vestris should be chosen for the heroic achievement, is not remarkable,* after her temptible libertine! But, if we admit personation of Don Giovanni, a conthat her gaiety of action and her execution of voice are suitable, then who can say so of her person? As a woman, Madame Vestris is charming and beautiful. for the gallant, robust, enterprising MacBut her figure is too diminutive heath-the beacon to robbers and the robber of female virtue by a seductive manly form and commandingly graceful person. She looks like a cockney dandy dressed from a haberdasher's; shakes a whip-twirls her hat-talks mightily fine -struts pantly, and in short, feigns the very hero - looks archly - speaks flipI do not say that stature forms the basis of of littleness, a very Bombastes Furioso. courage, or great deeds of valour, but we are led to suppose that the Captain was great in person and villany too. Peachum and Lockit are admirably drawn, but the smartest things they say and do are the most exceptionable. I do not like a subject which concerns the law, be treated with levity under the noose of the religion, and the life of any person to the gallows. Even the tolling of the bell is too awful to fill up the vacuum of a *In addition to this lady, Waylett, Love, Helme, and several others, have been elected "Members of the heroic class." farce; the prison walls strike chillness into the vessels of the heart, but why should pity draw out her tears in a cause so unworthy of them? Our pity is alive to the awakening sensations, the throbbing emotions, the despairing hopes, the fugitive dreams of Lucy and Polly, whose inbred affections are so unhappily wrought and worked upon. Both of these girls are more worthy than their parents, whose life might have made them worse; their virtue was retrievable, not so Mrs. Peachum's, who had lived in open violation of law and justice. Who that has a spark of moral rectitude, will defend her deluding Filch into further crime? What has the author done to reprehend her conduct? he has shown her, it is true, in her natural colours, but they go off the picture in shade without leaving a right impression in the mind of the observer. I believe that many a one has filched after having seen this representation-many a one quarrelled about the division of illgotten money and goods-many, alas! have committed crimes in the hope of reprieve, and dared to be heroic in unjustifiable acts, because other great captains before them have been so, and escaped that justice which is due to its offenders. At least, by way of representation, some idea of punishment ought to be realized, or where is the offence? Some writers defend the "Beggars' Opera" upon the score of its having so much human nature infused into the dramatis personæ. There is a virtuous and a vicious humanity. The one leads to good, the other to ill. Which is the preponderating influence in this piece?Follies are not vices, though but too often the harbingers to them. Nothing should be countenanced upon the stage that is not moral. So far as the stage actors deviate from this principle, so far they have wandered from the original intention of scenic display. If this were the case, the theatre would not call for the condemning voice of the divine, but be instrumental in assisting him in the great work of cultivating the minds of society. A play may be lively and laughable without injury; serious and painful without danger. Which ever way passion is marked, whether lightly or heavily, the fruits of morality should be scattered for the gleaner's instruction. This is the end of all that is durable-this only will satisfy the mind when reflection awakes. Does any one feel the wiser or better, after rising from a perusal of the "Beggar's Opera," as it is now performed? DRAMATICUS. AN APPARITION. From Warner's "Literary Recollections." My sincere respect for the memory of the Rev. Joseph Townsend, would, were Ito follow its impulse, lead me into a length of remark upon his character and attainments, incompatible with the nature of my work: I will therefore close this biographical sketch with the communication of a very singular fact, related to me in the first instance by him; but which has since been confirmed, by a voucher scarcely to be resisted-an indisputably true report of Dr. Alsop's viva voce declaration on his dying bed. Lord William Petty was the third son of the old Marquess of Lansdowne, and brother to the present highly-gifted Lord of Bowood. He had attained the age of seven or eight years; as remarkable for the precocity of his understanding, as he was unfortunate in the delicate state of his constitutional health. The Marquess, called to London, by his Parliamentary duties, had left the child at Bowood, for the winter, with Mr. Jarvis, his tutor, and suitable domestics. The late Dr. Priestley, also, the Marquess's librarian, made one of the party. On an ill-omened day, beautiful and brilliant, but intensely cold, the gamekeeper, in compliance with Lord William's request, took the lad before him on horseback. His Lordship rode with his waistcoat open, and chest exposed; and an inflammation on the lungs was the immediate On the consequence of this incaution. first appearance of indisposition, Mr. Alsop, of Calne, the family apothecary, (himself much attached to the child), was summoned to attend his Lordship. His treatment promised favourable result, and a few days after, he left him, in the forenoon, apparently out of danger. Towards evening, however, the symptoms becoming decidedly worse, the family were alarmed and Mr. Jarvis thought it right to call for Mr. Alsop's immediate assistance. It was night before this gentleman reached Bowood; but an unclouded moon showed every object in an unequivocal distinctness. Mr. Alsop had passed through the Lodge Gate, and was proceeding to the house, when to his utter astonishment, he saw Lord William coming towards him in all the buoyancy of childhood, restored, apparently, to health and vigour.“ Í am delighted, my dear Lord," he exclaimed, to see you; but, for heaven's sake, go immediately within doors; it is death to you to be here at this time of night." The child made no reply; but, turning round, was quickly out of sight. Mr. Alsop, unspeakably surprised, hurried to the house. Here all was distress and con |