The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of Taste

affift alfo almoſt alſo Analysis of Beauty Antinous appear beauty becauſe beſt body cauſe CHAP character cife cloſe colours compofed compofition confider'd dancing deſcribed deſcription difagreeable diftinct diftinguiſh diſtance eafily elegant eſpecially expreffion face faid fame faſhion feem feen ferpentine lines ferve fhade fhall fhew fide figure fimplicity firſt fitneſs fituation fize fome foon ftatue ftill fubject fuch fufficient fuppofed furface give grace gradating hath Hogarth idea itſelf juſt leaſt lefs leſs light and fhade line of beauty mafter manner meaſure mind moft moſt movements muſcles muſt nature neceffary obfervation objects oppofite ornamental otherwiſe painters painting perfon perſpective pleafing pleaſe pleaſure preſent principles proportion purpoſe raiſe reaſon repreſented ſee ſeem ſeen ſet ſhades ſhall ſhapes ſhould ſome ſpace ſpeak ſtill ſtraight ſtraight lines ſuppoſe taſte thefe themſelves theſe thofe thoſe tints twiſted underſtood uſe utmoſt vafes varied variety whole William Hogarth