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Isabella who furnished Columbus with the means of coming hither. This land must pay back its debt to woman, without whose aid it would not have been brought into alliance with the civilized world.

The influence of Elizabeth on literature was real, though, by sympathy with its finer productions, she was no more entitled to give name to an era than Queen Anne. It was simply that the fact of having a female sovereign on the throne affected the course of a writer's thoughts. In this sense, the presence of a woman on the throne always makes its mark. Life is lived before the eyes of all men, and their imaginations are stimulated as to the possibilities of woman. "We will die for our King, Maria Theresa," ery the wild warriors, clashing their swords, and the sounds vibrate through the poems of that generation. The range of female character in Spenser alone might content us for one period. Britomart and Belphoebe have as much room in the canvass as Florimel; and where this is the case, the haughtiest Amazon will not murmur that Una should be felt to be the highest type.

Unlike as was the English Queen to a fairy queen, we may yet conceive that it was the image of a queen before the poet's mind, that called up this splendid court of

women.

Shakspeare's range is also great, but he has left out the heroic characters, such as the Macaria of Greece, the Britomart of Spenser. Ford and Massinger have, in this respect, shown a higher flight of feeling than he. It was the holy and heroic woman they most loved, and if they could not paint an Imogen, a Desdemona, a Rosalind, yet in those of a stronger mould, they showed a higher ideal, though with so much less poetic power to represent it, than we see in Portia or Isabella. The simple truth of Cordelia, indeed, is of this sort. The beauty of Cordelia is neither male nor female; it is the beauty of virtue.

The ideal of love and marriage rose high in the mind of all the Christian nations who were capable of grave and deep feeling. We may take as examples of its English aspect, the lines,

"I could not love thee, dear, so much,
Loved I not honor more."

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The address of the Commonwealth's man to his wife as she looked out from the Tower window to see him for the last time on his way to execution. "He stood up in the cart, waved his hat, and cried, 'To Heaven, my love, to Heaven! and leave you in the storm!'"

Such was the love of faith and honor, a love which stopped, like Colonel Hutchinson's, "on this side idolatry," because it was religious. The meeting of two such souls Donne describes as giving birth to an "abler soul." Lord Herbert wrote to his love,

"Were not our souls immortal made,

Our equal loves can make them such."

In Spain the same thought is arrayed in a sublimity, which belongs to the sombre and passionate genius of the nation. Calderon's Justina resists all the temptation of the Demon, and raises her lover with her above the sweet lures of mere temporal happiness. Their marriage is vowed at the stake, their souls are liberated together by the martyr flame into "a purer state of sensation and existence."

In Italy, the great poets wove into their lives an ideal love which answered to the highest wants. It included those of the intellect and the affections, for it was a love of spirit for spirit. It was not ascetic and superhuman, but interpreting all things, gave their proper beauty to details of the common life, the common day; the poet spoke of his love not as a flower to place in his bosom, or hold carelessly in his hand, but as a light towards which he must find wings to fly, or "a stair to heaven." He delighted to speak of her not only as the bride of his heart, but the mother of his soul, for he saw that, in cases where the right direction has been taken, the greater delicacy of her frame, and stillness of her life, left her more open to spiritual influx than man is. So he did not look upon her as betwixt him and earth, to serve his temporal needs, but rather betwixt him and heaven, to purify his affections and lead him to wisdom through her pure love. He sought in her not so much the Eve as the Madonna.

In these minds the thought, which glitters in all the legends of chivalry, shines in broad intellectual effulgence, not to be misinterpreted. And their thought is reverenced by the world, though it lies so far from them as yet, so far, that it seems as though a gulf of Death lay between.

Even with such men the practice was often widely dif ferent from the mental faith. I say mental, for if the heart were thoroughly alive with it, the practice could not be dissonant. Lord Herbert's was a marriage of convention, made for him at fifteen; he was not discontented with it, but looked only to the advantages it brought of perpetuating his family on the basis of a great fortune. He paid, in act, what he considered a dutiful attention to the bond; his thoughts travelled elsewhere, and, while forming a high ideal of the companionship of minds in marriage, he seems never to have doubted that its realization must be postponed to some other stage of being. Dante, almost immediately after the death of Beatrice, married a lady chosen for him by his friends.

Centuries have passed since, but civilized Europe is still in a transition state about marriage, not only in practice, but in thought. A great majority of societies and individuals are still doubtful whether earthly marriage is to be a union of souls, or merely a contract of convenience and utility. Were woman established in the rights of an immortal being, this could not be. She would not in some countries be given away by her father, with scarcely more respect for her own feelings than is shown by the Indian chief, who sells his daughter for a horse, and beats her if she runs away from her new home. Nor, in societies where her choice is left free, would she be perverted, by the current of opinion that seizes her, into the belief that she must marry, if it be only to find a protector, and a home of her own.

Neither would man, if he thought that the connection was of permanent importance, enter upon it so lightly. He would not deem it a trifle, that he was to enter into the closest relations with another soul, which, if not eternal in themselves, must eternally affect his growth.

Neither, did he believe woman capable of friendship, would he, by rash haste, lose the chance of finding a friend in the person who might, probably, live half a century by his side. Did love to his mind partake of infinity, he would not miss his chance of its revelations, that he might the sooner rest from his weariness by a bright fireside, and have a sweet and graceful attendant, "devoted to him alone." Were he a step higher, he would not carelessly

enter into a relation, where he might not be able to do the duty of a friend, as well as a protector from external ill, to the other party, and have a being in his power pining for sympathy, intelligence, and aid, that he could not give.

Where the thought of equality has become pervasive, it shows itself in four kinds.

The household partnership. In our country the woman looks for a "smart but kind" husband, the man for a "capable, sweet-tempered" wife.

The man furnishes the house, the woman regulates it. Their relation is one of mutual esteem, mutual dependence. Their talk is of business, their affection shows itself by practical kindness. They know that life goes more smoothly and cheerfully to each for the other's aid; they are grateful and content. The wife praises her husband as a "good provider," the husband in return compliments her as a "capital housekeeper." This relation is good as far as it goes.

Next comes a closer tie which takes the two forms, either of intellectual companionship, or mutual idolatry. The last, we suppose, is to no one a pleasing subject of contemplation. The parties weaken and narrow one another; they lock the gate against all the glories of the universe that they may live in a cell together. To themselves they seem the only wise, to all others steeped in infatuation, the gods smile as they look forward to the crisis of cure, to men the woman seems an unlovely syren, to women the man an effeminate boy.

The other form, of intellectual companionship, has become more and more frequent. Men engaged in public life, literary men, and artists have often found in their wives companions and confidants in thought no less than in feeling. And, as in the course of things the intellectual development of woman has spread wider and risen higher, they have, not unfrequently, shared the same employment. As in the case of Roland and his wife, who were friends in the household and the nation's councils, read together, regulated home affairs, or prepared public documents together indifferently.

It is very pleasant, in letters begun by Roland and finished by his wife, to see the harmony of mind and the difference of nature, one thought, but various ways of treating it.

This is one of the best instances of a marriage of friendship. It was only friendship, whose basis was esteem ; probably neither party knew love, except by name.

Roland was a good man, worthy to esteem and be esteemed, his wife as deserving of admiration as able to do without it. Madame Roland is the fairest specimen we have yet of her class, as clear to discern her aim, as valiant to pursue it, as Spenser's Britomart, austerely set apart from all that did not belong to her, whether as woman or as mind. She is an antetype of a class to which the coming time will afford a field, the Spartan matron, brought by the culture of a book-furnishing age to intellectual consciousness and expansion.

Self-sufficing strength and clear-sightedness were in her combined with a power of deep and calm affection. The page of her life is one of unsullied dignity.

Her appeal to posterity is one against the injustice of those who committed such crimes in the name of liberty. She makes it in behalf of herself and her husband. I would put beside it on the shelf a little volume, containing a similar appeal from the verdict of contemporaries to that of mankind, that of Godwin in behalf of his wife, the celebrated, the by most men detested Mary Wolstonecraft. In his view it was an appeal from the injustice of those who did such wrong in the name of virtue.

Were this little book interesting for no other cause, it would be so for the generous affection evinced under the peculiar circumstances. This man had courage to love and honor this woman in the face of the world's verdict, and of all that was repulsive in her own past history. He believed he saw of what soul she was, and that the thoughts she had struggled to act out were noble. He loved her and he defended her for the meaning and tendency of her inner life. It was a good fact.

Mary Wolstonecraft, like Madame Dudevant (commonly known as George Sand) in our day, was a woman whose existence better proved the need of some new interpretation of woman's rights, than anything she wrote. Such women as these, rich in genius, of most tender sympathies, and capable of high virtue and a chastened harmony, ought not to find themselves by birth in a place so narrow, that in breaking bonds they become outlaws. Were there as much

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