The Romantic Movement in English PoetryDutton, 1909 - 344 páginas |
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Página 7
... lyric any analogue in prose ? None , I think , in structural form , though there may be outbursts , in such elaborate prose as De Quin- cey's , which are perhaps only too lyrical , and seem to recog- nise a more fixed and releasing ...
... lyric any analogue in prose ? None , I think , in structural form , though there may be outbursts , in such elaborate prose as De Quin- cey's , which are perhaps only too lyrical , and seem to recog- nise a more fixed and releasing ...
Página 19
... lyric of Shakespeare's time was more universally perfect , a purer music , can we say that the age of Blake , Coleridge , and Shelley was inferior to that age in actual lyrical genius ? The romantic narrative has never been done with ...
... lyric of Shakespeare's time was more universally perfect , a purer music , can we say that the age of Blake , Coleridge , and Shelley was inferior to that age in actual lyrical genius ? The romantic narrative has never been done with ...
Página 38
... lyrics we have an inspiration which is held firmly under control . In the best of the lyrics there is an art of verse which neither Coleridge nor Shelley has ever surpassed ; can it quite be said of even the very best of the designs ...
... lyrics we have an inspiration which is held firmly under control . In the best of the lyrics there is an art of verse which neither Coleridge nor Shelley has ever surpassed ; can it quite be said of even the very best of the designs ...
Página 41
... lyric poet , every lyric poet but Blake , sings of love ; but Blake sings of forgiveness : ' Mutual forgiveness of each vice , Such are the gates of Paradise . ' Poets sing of beauty , but Blake says : - ' Soft deceit and idleness ...
... lyric poet , every lyric poet but Blake , sings of love ; but Blake sings of forgiveness : ' Mutual forgiveness of each vice , Such are the gates of Paradise . ' Poets sing of beauty , but Blake says : - ' Soft deceit and idleness ...
Página 63
... lyrics , some of them , especially those in the Scottish dialect , not without the lyrical touch , and it does not seem to have occurred to her to ask her- 1 ( 1 ) Fugitive Verses , 1790. ( 2 ) Plays on the Passions , 3 vols . , 1798 ...
... lyrics , some of them , especially those in the Scottish dialect , not without the lyrical touch , and it does not seem to have occurred to her to ask her- 1 ( 1 ) Fugitive Verses , 1790. ( 2 ) Plays on the Passions , 3 vols . , 1798 ...
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Términos y frases comunes
ballad Barry Cornwall beauty Blake blank verse Byron cadence called Campbell Catullus Charles Lamb Coleridge colour comes conscious Crabbe criticism Dante death delight drama dream edited Elizabethan emotion English poetry expression fancy feeling genius heart human humour imagination impulse Irish JOHN JOSEPH BLANCO WHITE Keats kind Lamb Landor language Latin Leigh Hunt less letter lines lived lyric metre mind Moore moral nature never once ottava rima parody passion perhaps plays pleasure poem poet poetical Prometheus Unbound prose realised reality remembered rendered rhyme rhythm romantic says scene Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity songs sonnets soul Southey speaking speech spirit stanza story strange style taste tells things THOMAS DERMODY thought tion touch translation truth turn voice vols wholly WILLIAM MAGINN wonder words Wordsworth writing written wrote
Pasajes populares
Página 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Página 138 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
Página 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Página 89 - Nor less I deem that there are Powers Which of themselves our minds impress ; That we can feed this mind of ours In a wise passiveness.
Página 84 - I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity...
Página 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Página 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Página 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Página 306 - A poet is the most unpoetical of anything in existence, because he has no Identity — he is continually in for and filling some other body.
Página 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.