 | William Hogarth - 1808 - 346 páginas
...ever variously changing (visibly after a certain time), should accidentally coincide with the artist's intention, and bring about the greater harmony of the piece, when it is manifestly contrary to their nature ? for do we not see in most collections that much time disunites,... | |
 | Morris Moore - 1847 - 122 páginas
...ever variously changing (visibly after a certain time), should accidentally coincide with the artist's intention, and bring about the greater harmony of the piece, when it is manifestly contrary to their nature ?" — Hogarth. 34 to turn figures with their legs upwards, than... | |
 | Charles Robert Leslie - 1870 - 386 páginas
...ever variously changing (visibly after a certain time), should accidentally coincide with the artist's intention, and bring about the greater harmony of the piece, when it is manifestly contrary to their nature t for do we not see in most collections that much time disunites,... | |
 | William Hogarth - 1908 - 256 páginas
...variously changing—visibly after a certain time—• should accidentally coincide with the artist's intention, and bring about the greater harmony of the piece, when it is manifestly contrary to their nature, for do we not see in most collections that much time disunites,... | |
 | William Hogarth - 1810 - 198 páginas
...fhould accidentally coincide wich the artift's intention, and bring about die greater harmony of die piece, when it is manifeftly contrary to their nature,...give to any fort of compofition. We will begin with a Mower-piece : when a mailer hath painted a rofe, a lily, an african, a gentianella, or violet, with... | |
 | Andrea Kirsh, Rustin S. Levenson - 2000 - 348 páginas
...ever variously changing (visibly after a certain time) should accidentally coincide with the artist's intention, and bring about the greater harmony of the piece, when it is manifestly contrary to their nature, for do we not see in most collections that much time disunites,... | |
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... darker, another lighter, one quite to a different colour, whilst another, as ultramarine, will keep its natural brightness even in the fire. Therefore how is it possible that such different materials, ever variously changing (visibly after a certain... 