Perhaps we are hardly correct in calling the temper and spirit we have here alluded to Byronian; they are common to all ages and to many minds, though signally developed by that poet, and in our own epoch. Probably the future historian of this period of our literature will attribute much of this peculiar exhibition of bitterness and despondency to the sanguine hopes first excited and then disappointed by the French Revolution. He will probably say of certain regions of our literature, that the whole bears manifest traces of volcanic origin. Pointing to some noble eminence, which seems to have been eternally calm, he will conjecture that it owed its elevation to the same force which raised the neighbouring Ætna. Applying the not very happy language of geology, he may describe it as a crater of elevation;" which, being interpreted, means no crater at all, but an elevation produced by the like volcanic agency: the crater itself is higher up in the same mountain range. There still remains one other small volume of Mr Taylor's poetry, which we must not pass over entirely without mentioning. The Eve of the Conquest, and other Poems. The chief piece here is of the nature of a dramatic scene. Harold, the night before the battle of Hastings, converses with his daughter, unfolds some passages of his past life, and vindicates himself in bis quarrel with that William the Norman who, on the morrow, was to add the title of Conqueror to his name. But as it will be more agreeable to vary the nature of our quotations, we shall make the few extracts we have space for from the lyric poems which follow. The "Lago Varese" will be, we suspect, the favourite with most readers. The image of the Italian girl is almost as distinctly reflected in the verse as it would have been in her own native lake. "She rested with the air of rest So seldom seen, of those Whose toil remitted gives a zest, Not languor, to repose. Her form was poised, yet buoyant, firm, though free, And liberal of her bright black eyes was she. "The sunshine of the Southern face, At home we have it not; And if they be a reckless race, These Southerns, yet a lot More favoured, on the chequered earth is theirs ; They have life's sorrows, but escape its cares. "There is a smile which wit extorts From grave and learned men, And there are smiles by shallow worldlings The tired mechanic at his lecture sighs; And of the learned, which, with all his lore, Has leisure to be wise?" With some verses from a poem called "St Helen's-Auckland" we close our extracts. The author revisits the home of his boyhood:: "How much is changed of what I see, How much more changed am I, "The walks are overgrown and wild, "The sounds that round about me rise Are what none other hears; I see what meets no other eyes, Though mine are dim with tears. "In every change of man's estate Are lights and guides allowed; But, parting, sends the cloud. "Nor mourn I the less manly part Poetry is no longer the most popular form of literature amongst us, and the drama is understood to be the least popular form of poetry. If this be the case, Mr Taylor has the additional merit of having won his way to celebrity under singular disadvantages. But, in truth, such poetry as Mr Taylor's could never appeal to the multitude. Literature of any kind which requires of the reader himself to think in order to enjoy, can never be popular. It is impossible to deny that the dramas we have been reviewing demand an effort, in the first instance, on the part of the reader: he must sit down to them with something of the spirit of the student. But, having done this, he will find himself amply repaid. As he advances in the work, he will read with increased pleasure; he will read it the second time with greater delight than the first; and if he were to live twenty years, and were to read such a drama as Philip Van Artevelde every year of his life, he would find in it some fresh source of interest to the last. As we have not contented ourselves with selecting beautiful passages of writing from Mr Taylor's dramas, but have attempted such an analysis of the three principal characters they portray as may send the reader to their reperusal with additional zest, so neither have we paused to dispute the propriety of particular parts, or to notice blemishes and defects. We would not have it understood that we admire all that Mr Taylor has written. Of whom could we say this? We think, for instance, that, throughout his dramas, from the first to the last, he treats the monks too coarsely. His portraiture borders upon farce. His Father John shows that he can do justice to the character of the intelligent and pious monk. Admitting that this character is rare, we believe that the extremely gross portraiture which we have elsewhere is almost equally rare. This last, however, is so frequently introduced, that it will pass with the reader as Mr Taylor's type of the monkish order. The monks could never have been more ignorant than the surrounding laity, and they were always something better in morals and in true piety. We are quite at a loss, too, to understand Mr Taylor's fondness for the introduction into his dramas of certain songs or ballads, which are not even intended to be poetical. To have made them so, he would probably contend, would have been a dramatic impropriety. Very well; but let us have as few of such things as may be, and as short as possible. In Edwin the Fair they are very numerous; and those which are introduced in Philip Van Artevelde we could gladly dispense with. We could also very willingly have dispensed with the conversation of those burgesses of Bruges who entertained the Earl of Flanders with some of these ballads. We agree with the Earl, that their hospitalities are a sore affliction. Tediousness may be very dramatic, but it is tediousness still-a truth which our writer, intent on the delineations of his character, sometimes forgets. But defects like these it is sufficient merely to have hinted at. That criticism must be very long and ample indeed, of the dramas of Mr Taylor, in which they ought to occupy any considerable space. VOL. LXX.-NO. CCCCXXXIII. 2 L A LEGEND OF GIBRALTAR. CHAPTER I. THE Governor's residence at Gibraltar was, in days of Spanish domination, a religious house, and still retains the name of the Convent. Two sides of a long quadrangular gallery, traversing the interior of the building, are hung with portraits of officers present at the great siege in 1779-83, executed in a style which proves that Pre-Raphaelite painters existed in those days. One of these portraits represents my grandfather. To judge from a painting of him by Sir Joshua, and a small miniature likeness, both still in possession of the family, he must have been rather a good-looking old gentleman, with an affable, soldierlike air, and very respectable features. The portrait at the Convent is doubtless a strong likeness, but by no means so flattering; it represents him much as he might have appeared in life, if looked at through a cheap opera-glass. A full inch has been abstracted from his forehead, and added to his chin; the bold nose has become a great promontory in the midst of the level countenance; the eyes have gained in ferocity what they have lost in speculation, and would, indeed, go far to convey a disagreeable impression of my ancestor's character, but for the inflexible smile of the mouth. Altogether, the grimness of the air, the buckram rigidity of figure, and the uncompromising hardness of his shirt-frill and the curls of his wig, are such as are to be met with in few works of art, besides the figure-heads of vessels, the signboards of country inns, and the happiest efforts of Messrs Millais and Hunt. However, my grandfather is no worse off than his compeers. Not far from this one is another larger painting, representing a council of officers held during the siege, where, notwithstanding the gravity of the occasion and the imminence of the danger, not a single face in the intrepid assembly wears the slightest expression of anxiety or fear, or, indeed, of anything else; and though my progenitor, in addition to the graces of the other portrait, is here depicted with a squint, yet he is by no means the most ill-looking individual present. But the illustrious governor, Eliott, has suffered more than anybody at the hands of the artist. Besides figuring in the production aforesaid, a statue of him stands in the Alameda, carved in some sort of wood, unluckily for him, of a durable nature. The features are of a very elevated cast, especially the nose; the little legs seem by no means equal to the task of sustaining the enormous cocked-hat; and the bearing is so excessively military, that it has been found necessary to prop the great commander from behind to prevent him from falling backwards. My grandfather, John Flinders, joined the garrison of Gibraltar as a major of infantry a few years before the siege. He was then forty-seven years of age, and up to that time had remained one of the most determined old bachelors that ever existed. Not that he ever declaimed against matrimony in the style of some of our young moderns, who fancy themselves too strong-minded to marry; the truth being that they remain single either because they have not been gifted by nature with tastes sufficiently strong to like one woman better than another, or else, because no woman ever took the trouble to lay siege to them. My grandfather had never married, simply, I believe, because matrimony had never entered his head. He seldom ventured, of his own choice, into ladies' society, but, when he did, no man was more emphatically gallant to the sex. One after one, he saw his old friends abandoning the irresponsible ease of bachelorhood for the cares of wedded life; but while he duly congratulated them on their felicity, and officiated as godfather to their progeny, he never seemed to anticipate a similar destiny for himself. All his habits showed that he had been too long 66 a accustomed to single harness to go cleverly as one of a pair. He had particular hours of rising, and going to bed; of riding out and returning; of settling himself down for the evening to a book and pipe, which the presence of helpmate would have materially deranged. And therefore, without holding any Malthusian tenets, without pitying his Benedick acquaintances, or entertaining thought of the sex which would have been in the least degree derogatory to the character of a De Coverley, his castles in the air were never tenanted by any of his own posterity. It was fortunate for my grandfather that in his time people did not suffer so much as now from that chronic inflammation of the conscience, which renders them perfectly miserable unless they are engaged in some tangible pursuit "improving their minds," or adding to the general stock of information." A more useless, contented person never existed. He never made even a show of employing himself profitably, and never complained of weariness in maintaining the monotonous jog-trot of his simple daily life. He read a good deal, certainly, but it was not to improve his mind, only to amuse himself. Strong-minded books, to stimulate his thinking faculties, would have had no charms for him; he would as soon have thought of getting galvanised for the pleasure of looking at his muscles. And I don't know whether it was not just as well. In systematically cultivating his mind, he would merely have been laying a top-dressing on a thin soil—manuring where there would never have been a crop-and some pleasant old weeds would have been pulled up in the process. A green thistly common, even though a goose could hardly find sustenance there, is nature still, which can hardly be said of a patch of earth covered with guano. So my grandfather went on enjoying himself without remorse after his own fashion, and never troubled himself to think-an operation that would have been inconvenient to himself, and productive of no great results to the world. He transplanted his English habits to Gibraltar; and, after being two years there, knew nothing more of Spain or Spaniards than the view of the Andalucian hills from the Rock, and a short constitutional daily ride along the beach beyond the Spanish lines, to promote appetite and digestion, afforded him. And so he might have continued to vegetate during the remainder of his service there, but for a new acquaintance that he made about this time. Frank Owen, commonly called Garry Owen by his familiars, was one of those joyous spirits whose pleasant faces and engaging manners serve as a perpetual act of indemnity for all breaches of decorum, and trespasses over social and conventional fences, committed by them in the gaiety of their hearts. In reproving his many derelictions of military duty, the grim colonel of the regiment would insensibly exchange his habitual tone of severe displeasure for one of mild remonstrance-influenced, probably, quite as much, in secret, by the popularity of the unrepentant offender, as by any personal regard for him. Captain Hedgehog, who had shot a man through the heart for corking his face one night when he was drunk, and all contact with whose detonating points of honour was as carefully avoided by his acquaintance as if they had been the wires of a springgun, sustained Garry's reckless personalities with a sort of warning growl utterly thrown away upon the imperturbable wag, who would still persist, in the innocence of his heart, in playing round the den of this military cockatrice. And three months after his arrival in Gibraltar, being one day detected by a fierce old Spanish lady in the very act of kissing her daughter behind the little señorita's great painted fan, his goodhumoured impudence converted the impending storm into a mild drizzle of reproof, ending in his complete restoration to favour. This youth had brought with him from England a letter from his mother, a widow lady, an old friend of my grandfather, who had some thirty years before held with her a juvenile flirtation. It recommended to his protection her son Frank, about to join the regiment as an ensign, pathetically enlarging on the various excellencies, domestic and religious, which shone forth conspicuously in the youth's character, and of the comfort of contemplating and superintending which she was about to be deprived. In fact, it had led my grandfather to expect a youth of extreme docility and modesty, requiring a protector rather to embolden than to restrain him. After in vain attempting to espy in his young acquaintance any of the characteristics ascribed to him in his mother's letter, the Major, naturally good-natured and accessible to his youthful comrades, very soon suffered himself to be influenced by the good-humour, vigorous vitality, and careless cleverness of the Ensign, to an extent that caused him sometimes to wonder secretly at his own transformation. His retired habits were broken in upon, one after the other, till he had scarcely a secluded hour in his sixteen waking ones to enjoy alone his book and his pipe. His peaceful quarters, silent, in general, as a monk's cell, would now be invaded at all sorts of hours by the jovial Garry, followed by the admiring satellites who usually revolved around him; and the Major, with a sound between a groan and a chuckle, would close his well-beloved volume to listen to the facetious details of, and sometimes to participate in, the uncongenial freaks of the humorous subaltern. Once he had actually consented, at about the hour he usually went to bed, to accompany the youth to a Carnival ball-one of a series of entertainments at which the Catholic youth of the city are wont to idemnify themselves for the mortifications of Lent, and where masks, dominoes, and fancy dresses lend their aid to defeat the vigilance of the lynx-eyed dueunas and mammas who look anxiously on, perfectly aware, in general, that their own watchfulness is more to be relied on for nipping in the bud an indiscreet amour, than any innate iciness of temperament or austere propriety in the objects of their care. Not only did the Major mingle in the scene, but he actually, about midnight, found himself figuring in a cotillon with a well-developed señorita of thirteen years, whose glances and deportment showed a precocious proficiency in the arts of flirtation. At this ball Garry had become enamoured beyond all former passions (and they were numerous and inconstant, in general, as if he had been a Grand Turk) of one of his partners, a young Spanish lady. Her graceful figure and motions in the dance had at first captivated him-and when, after dancing with her himself, his eloquent entreaties, delivered in indifferent Spanish, had prevailed on her to lift her mask for one coy moment, the vision of eyes and eyebrows, the common beauties of a Spanish countenance, and the clear rosy complexion, a much more rare perfection, then revealed, had accomplished the utter subjugation of his errant fancy. She had vanished from the ball silently and irremediably, as a houri of Paradise from the awakening eyes of an opium-eating Pacha; and all his attempts to trace her, continued unceasingly for a couple of months afterwards, had proved in vain. One morning my grandfather was seated at breakfast in the verandah of his quarters, situated high up the rock above the town. Below him lay the roofs, terraced and balconied, and populous with cats, for whose convenience the little flat stone squares at the top of most of the houses appeared to have been devised. Tall towers called mirandas shot up at intervals, from whose summits the half-baked inhabitants, pent within close walls and streets, might catch refreshing glimpses of the blue sea and the hills of Spain-conveniences destined soon afterwards to be ruined by the enemy's fire, or pulled down to avoid attracting it, and never rebuilt. Beyond the white sunny ridge of the line wall came the sharp edge of the bay, rising in high perspective to the purple coast of Spain opposite, which was sprinkled with buildings white as the sails that dotted the water. My grandfather was in a state of great sensual enjoyment, sniffing up the odour of the large geranium bushes that grew in clumps in the little garden in front, and the roses that twined thickly round the trellis of the vine-roofed verandah; sipping thick creamy Spanish chocolate between the mouthfuls of red mullet, broiled in white paper, the flavour of which he was diligently comparing with that of some specimens of the same fish which |