Imágenes de páginas
PDF
EPUB

as saying that a poet can be too imaginative, provided that his other faculties be exercised in due proportion to his imagination. I would have no man depress his imagination, but I would have him raise his reason to be its equipoise. What I would be understood to oppugn, is the strange opinion which seems to prevail amongst certain of our writers and readers of poetry, that good sense stands in a species of antagonism to poetical genius, instead of being one of its most essential constituents. The maxim that a poet should be " of imagination all compact," is not, I think, to be adopted thus literally. That predominance of the imaginative faculty, or of impassioned temperament, which is incompatible with the attributes of a sound understanding and a just judgment, may make a rhapsodist, a melodist, or a visionary, each of whom may produce what may be admired for the particular talent and beauty belonging to it: but imagination and passion, thus unsupported, will never

make a poet, in the largest and highest sense of

the appellation:

"For Poetry is Reason's self sublimed;
'Tis Reason's sovereignty, whereunto
All properties of sense, all dues of wit,
All fancies, images, perceptions, passions,
All intellectual ordinance grown up
From accident, necessity, or custom,
Seen to be good, and after made authentic ;
All ordinance aforethought, that from science
Doth prescience take, and from experience law;
All lights and institutes of digested knowledge,
Gifts and endowments of intelligence

From sources living, from the dead bequests,—
Subserve and minister*."

Mr. Shelley and his disciples, however,—the followers (if I may so call them) of the PHANTASTIC SCHOOL, labour to effect a revolution in this order of things. They would transfer the domicile of poetry to regions where reason, far from having any supremacy or rule, is all but unknown, an alien and an outcast; to seats of

* MS.

anarchy and abstraction, where imagination exercises the shadow of an authority, over a people of phantoms, in a land of dreams.

In bringing these cursory criticisms to an end, I must beg leave to warn the reader against any expectation that he will find my work free either from the faults which I attribute to others, or from faults which may be worse, and more peculiarly my own. The actual works of men will not bear to be measured by their ideal standards in any case; and I may observe, in reference to my own, that my critical views have rather resulted from composition than directed it. If, however, I have been unable to avoid the errors which I condemn, or errors not less censurable, I trust that, on the other hand, I shall not be found to have deprived myself, by any narrowness or perversity of judgment, of the advantage which the study of these writers, exceptionable though they be, may undoubtedly afford to one who, whilst

duly taking note of their general defects, shall not have closed his mind to a perception of their particular excellences. I feel, and have already expressed, a most genuine, and I hope not an inadequate, admiration for the powers which they respectively possess; and wherever it might occur to me that the exercise of those powers would be appropriate and consistent, I should not fail to benefit by their example to the extent of my capabilities. To say, indeed, that I admire them, is to admit that I owe them much; for admiration is never thrown away upon the mind of him who feels it, except when it is misdirected or blindly indulged. There is perhaps nothing which more enlarges or enriches the mind, than the disposition to lay it genially open to impressions of pleasure from the exercise of every species of talent; nothing by which it is more impoverished than the habit of undue depreciation. What is puerile, pusillanimous,

or wicked, it can do us no good to admire; but let us admire all that can be admired without

debasing the dispositions or stultifying the understanding.

LONDON, SEPT. 1834.

« AnteriorContinuar »