THE Analysis of Beauty. WRITTEN WITH A VIEW OF FIXING THE FLUCTUATING IDEAS OF TASTE BY WILLIAM HOGARTH. ILLUSTRATED BY ENGRAVINGS. A NEW EDITION, PRINTED VERBATIM FROM THE ORIGINAL WORK, THE PAGES OF WHICH ARE HERE RETAINED. VARIETY So vary'd he, and of bis tortuous train MILTON LONDON: PRINTED FOR R. SCHOLEY, 46, PATERNOSTER ROW; By T. Davison, Lombard Street, Whitefriars. 1810. CONTENTS. Page . INTRODUCTION. The use and advantage of considering solid objects as only thin shells composed of lines, like the outer coat of an onion III. Of Uniformity, Regularity, or Symmetry IV. Of Simplicity, or Distinctness VIII. Of what sort of parts and how pleasing forms IX. Of Compositions with the waving line. X. Of Compositions with the serpentine line XII. Of Light and Shade, and the manner in which and Colours XIV. Of Colouring XV. Of the Face. 1. In the highest taste, and the 2. As to character and expression. 3. Of the manner in which the lines of the Face alter from infancy upwards, and shew the different ages XVI. Of Attitude XVII. Of Action. 1. A new method of acquiring an easy and graceful movement of the hand and 2. Of the head, &c. 3. Of dancing, particularly the minuet. 4. Of country-danc- ing, and, lastly, of stage-action . 106 113 reverse. . 122 135 . arms. • 138 |