Scotland, Britain, Empire: Writing the Highlands, 1760-1860Ohio State University Press, 2007 - 228 páginas Monologues for Aspiring Actors is collection of cuttings from plays featuring young characters—adolescents to young adults. Playwrights range from Sophocles and Moliere to David Henry Hwang and Laura Harrington. Divided into monologues for females and monologues for males, the collection offers introductory notes on each dramatic scene and practical advice on preparing, analyzing, and staging the monologues for interpretation and performance. This collection of monologues, selected by actor, director, teacher, and writer Marsh Cassady, invites aspiring actors to experience the challenges and joys of individual theatrical performance. It is also an ideal supplement for any of Glencoe's theater arts titles. |
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... became the most oft - cited example of the primi- tive in Scottish writing , a subject both familiar and relatively accessible . Malcolm Chapman writes that it must be regarded as “ fortuitous that the intellectual world of the larger ...
... became identified with particular " races . ” From its earliest appearance on the cultural stage , the poetry of Ossian became the subject of increasing fascination and anxiety and the focal point upon which a national consciousness was ...
... became the rage of Paris fashion . ( The Costume of Scotland 173–74 ) 12. The belief that the mere sight of the Highland uniform could inspire terror in the enemy formed the basis for arguments against periodic attempts by the army at ...
Contenido
ACKNOWLEDMENTS | 1 |
CHAPTER ONE Native Tongue | 25 |
CHAPTER TWO Rob Roy and the Kings Visit | 51 |
Derechos de autor | |
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Scotland, Britain, Empire: Writing the Highlands, 1760-1860 Kenneth McNeil Vista previa limitada - 2007 |
Scotland Britain Empire: Writing the Highlands, 1760-1860 Kenneth McNeil Sin vista previa disponible - 2021 |