Scotland, Britain, Empire: Writing the Highlands, 1760-1860Ohio State University Press, 2007 - 228 páginas Monologues for Aspiring Actors is collection of cuttings from plays featuring young characters—adolescents to young adults. Playwrights range from Sophocles and Moliere to David Henry Hwang and Laura Harrington. Divided into monologues for females and monologues for males, the collection offers introductory notes on each dramatic scene and practical advice on preparing, analyzing, and staging the monologues for interpretation and performance. This collection of monologues, selected by actor, director, teacher, and writer Marsh Cassady, invites aspiring actors to experience the challenges and joys of individual theatrical performance. It is also an ideal supplement for any of Glencoe's theater arts titles. |
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... shifting and uneven relations of power in an imperial age require that we pay attention to the multiple locations in which Highland writings are pro- duced , from within the Highlands themselves , the expatriate communities in London ...
... shifting bor- der space between the conflicting cultural imperatives . Ossian's grand but uncertain entry into the discourse on Scottish national identity does not signal an acquiescence ; rather , it demonstrates , again in Ferris's ...
... shifting ground of translation - which is the border space of Scottish culture - will again be poised to return to the forefront of national debate . CHAPTER TWO Rob Roy and the King's Visit Modernity and 50 CHAPTER ONE.
Contenido
ACKNOWLEDMENTS | 1 |
CHAPTER ONE Native Tongue | 25 |
CHAPTER TWO Rob Roy and the Kings Visit | 51 |
Derechos de autor | |
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Scotland, Britain, Empire: Writing the Highlands, 1760-1860 Kenneth McNeil Vista previa limitada - 2007 |
Scotland Britain Empire: Writing the Highlands, 1760-1860 Kenneth McNeil Sin vista previa disponible - 2021 |