Scotland, Britain, Empire: Writing the Highlands, 1760-1860Ohio State University Press, 2007 - 228 páginas Monologues for Aspiring Actors is collection of cuttings from plays featuring young characters—adolescents to young adults. Playwrights range from Sophocles and Moliere to David Henry Hwang and Laura Harrington. Divided into monologues for females and monologues for males, the collection offers introductory notes on each dramatic scene and practical advice on preparing, analyzing, and staging the monologues for interpretation and performance. This collection of monologues, selected by actor, director, teacher, and writer Marsh Cassady, invites aspiring actors to experience the challenges and joys of individual theatrical performance. It is also an ideal supplement for any of Glencoe's theater arts titles. |
Dentro del libro
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... voice of its ancient bards , Scots paradoxically had to rely on the mediating voice of the translator . Through his knowledge of native language , Macpherson became the agent by which the indigenous culture of the Highlands was " opened ...
... voices of the past into the sites of the present . ( 33 ) In this line of argument , the voice of Ossian still resonated across the High- lands for its nationalist supporters , and it was therefore the task of antiquar- ians like ...
... voice so that it can speak again , but in stifling what he sees as the cacophony of voices of the ignorant and prejudiced . These voices come not out of the mists of the past but from the paneled libraries of other antiquarians , and ...
Contenido
ACKNOWLEDMENTS | 1 |
CHAPTER ONE Native Tongue | 25 |
CHAPTER TWO Rob Roy and the Kings Visit | 51 |
Derechos de autor | |
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Scotland, Britain, Empire: Writing the Highlands, 1760-1860 Kenneth McNeil Vista previa limitada - 2007 |
Scotland Britain Empire: Writing the Highlands, 1760-1860 Kenneth McNeil Sin vista previa disponible - 2021 |