The Artful Universe ExpandedOUP Oxford, 2011 M03 10 - 336 páginas In The Artful Universe (OUP, 1995) John D. Barrow explored the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our sense of beauty is entirely free and unfettered. It looked at some of the unexpected ways in which the structure of the Universe, its laws, its environments, and above all its underlying mathematical structure imprints itself on our thoughts, our aesthetic preferences, and our views about the nature of things. The exploration embraced topics such as perspective; the size of things and the origins of aesthetics; computer art (posing the question: is it art?); and the origins of our susceptibility to music. Life sales of the hardback totalled just over 25,000 copies. The study of the evolutionary and mathematical underpinnings of our aesthetic sense, and our understanding of the nature and scale of the universe has grown over the past decade, with developments in evolutionary psychology, and in cosmology. This paperback of the revised edition (OUP, 2005) contains eight new sections covering the recent discoveries of extrasolar planets, fashionable postmodernist rejection of science as uncovering objective reality, growing understanding of key ratios appearing in biological relationships, and studies of the underlying mathematical structure of a Pollock painting. |
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... artistic creation. Conversely, the growing fascination of scientists with the fruits of organized complexity in all its forms should draw them towards the creative arts where there are extraordinary examples of structured intricacy ...
... artistic creation. Conversely, the growing fascination of scientists with the fruits of organized complexity in all its forms should draw them towards the creative arts where there are extraordinary examples of structured intricacy ...
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... artistic appreciation of landscape. This will reveal new things about our ambiguous attraction to works of computer art and lead us to explore an ancient analogy of the problem of whether computer art is truly art. We will also see why ...
... artistic appreciation of landscape. This will reveal new things about our ambiguous attraction to works of computer art and lead us to explore an ancient analogy of the problem of whether computer art is truly art. We will also see why ...
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... artistic and social activity, but largely ignored the common features of existence that derive from the universality of our cosmic environment, and the necessary features that life-supporting environments must display. Just as science ...
... artistic and social activity, but largely ignored the common features of existence that derive from the universality of our cosmic environment, and the necessary features that life-supporting environments must display. Just as science ...
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... artistic activities that are uniquely human. But, paradoxically, from the same source has owed a systematic study of Nature that we call science. Their common origins may seem surprising to many, because a great gulf seems to lie ...
... artistic activities that are uniquely human. But, paradoxically, from the same source has owed a systematic study of Nature that we call science. Their common origins may seem surprising to many, because a great gulf seems to lie ...
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... artistic organization of space by combining lines parallel to the sides of the picture with lines directed towards the vanishing-point. The viewer feels that he is looking in upon the world through an open window (Plate 3). 2.1 An ...
... artistic organization of space by combining lines parallel to the sides of the picture with lines directed towards the vanishing-point. The viewer feels that he is looking in upon the world through an open window (Plate 3). 2.1 An ...
Contenido
branching | |
the evolution of cooperation | |
the art of landscape | |
the dilemma of computer | |
The heavens and the Earth | |
The natural history of noise | |
Alls well that ends well | |
Tales of the unexpected | |
the fabric of the world | |
Illustration acknowledgements | |
Index | |
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1/f noise ability adaptation aesthetic ancient animals appears appreciation Aratus artistic astrological astronomical atoms axis behaviour body brain Celestial Pole changes colour complexity computer art constellations create creatures cultures cycle display diversity Earth Earth’s surface eclipse Einstein’s emotional environment Eudoxus evolution evolutionarily stable strategy evolutionary evolved exist extrasolar planets extraterrestrial forces fractal frequency galaxies genetic gravity Hipparchus human images increase instinctive inuence landscape language latitude laws of Nature light linguistic living things Mars mathematicians mathematics mind Moon motion natural selection noise obliquity observer orbit organisms patterns period planets Pollock possible precession produce range reality reason reect reection responses rotation sabbath sensitivity shown in Figure simulated simulated reality solar system sound species spectrum stars strategy structure sucient survival symbols symmetry theory Theory of Everything universal grammar University Press variations York