The Artful Universe ExpandedOUP Oxford, 2011 M03 10 - 336 páginas In The Artful Universe (OUP, 1995) John D. Barrow explored the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our sense of beauty is entirely free and unfettered. It looked at some of the unexpected ways in which the structure of the Universe, its laws, its environments, and above all its underlying mathematical structure imprints itself on our thoughts, our aesthetic preferences, and our views about the nature of things. The exploration embraced topics such as perspective; the size of things and the origins of aesthetics; computer art (posing the question: is it art?); and the origins of our susceptibility to music. Life sales of the hardback totalled just over 25,000 copies. The study of the evolutionary and mathematical underpinnings of our aesthetic sense, and our understanding of the nature and scale of the universe has grown over the past decade, with developments in evolutionary psychology, and in cosmology. This paperback of the revised edition (OUP, 2005) contains eight new sections covering the recent discoveries of extrasolar planets, fashionable postmodernist rejection of science as uncovering objective reality, growing understanding of key ratios appearing in biological relationships, and studies of the underlying mathematical structure of a Pollock painting. |
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John Barrow. " Remarkable ... it will change the way you view the world ! Rough Science Library The Artful Universe Expanded John D. Barrow The Artful Universe EXPANDED John D. Barrow is Professor of. Front Cover.
John Barrow. " Remarkable ... it will change the way you view the world ! Rough Science Library The Artful Universe Expanded John D. Barrow The Artful Universe EXPANDED John D. Barrow is Professor of. Front Cover.
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... change. The art of bonsai represents this temporal aspect by entraining the natural growth of things through a skilful horticultural intervention. In miniature, it symbolizes the living, growing—but unfinished—nature of the world. It ...
... change. The art of bonsai represents this temporal aspect by entraining the natural growth of things through a skilful horticultural intervention. In miniature, it symbolizes the living, growing—but unfinished—nature of the world. It ...
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... changes and corrections to the message our eyes are trying to give us. If we look at some very early art-forms, we get the impression that the idea of trying to match the image with reality never came into play and all that remained as ...
... changes and corrections to the message our eyes are trying to give us. If we look at some very early art-forms, we get the impression that the idea of trying to match the image with reality never came into play and all that remained as ...
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John Barrow. moment? Is there any reason why our mental categories could not change overnight? There are two poles of opinion about the relationship between true reality and perceived reality. At one extreme, we find 'realists', who ...
John Barrow. moment? Is there any reason why our mental categories could not change overnight? There are two poles of opinion about the relationship between true reality and perceived reality. At one extreme, we find 'realists', who ...
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... change in outlook on the world, and its representation, may have been fostered by the general climate of relativism that was encouraged by the discovery that even geometrical truth was not absolute. If there was no reason.
... change in outlook on the world, and its representation, may have been fostered by the general climate of relativism that was encouraged by the discovery that even geometrical truth was not absolute. If there was no reason.
Contenido
branching | |
the evolution of cooperation | |
the art of landscape | |
the dilemma of computer | |
The heavens and the Earth | |
The natural history of noise | |
Alls well that ends well | |
Tales of the unexpected | |
the fabric of the world | |
Illustration acknowledgements | |
Index | |
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1/f noise ability adaptation aesthetic ancient animals appears appreciation Aratus artistic astrological astronomical atoms axis behaviour body brain Celestial Pole changes colour complexity computer art constellations create creatures cultures cycle display diversity Earth Earth’s surface eclipse Einstein’s emotional environment Eudoxus evolution evolutionarily stable strategy evolutionary evolved exist extrasolar planets extraterrestrial forces fractal frequency galaxies genetic gravity Hipparchus human images increase instinctive inuence landscape language latitude laws of Nature light linguistic living things Mars mathematicians mathematics mind Moon motion natural selection noise obliquity observer orbit organisms patterns period planets Pollock possible precession produce range reality reason reect reection responses rotation sabbath sensitivity shown in Figure simulated simulated reality solar system sound species spectrum stars strategy structure sucient survival symbols symmetry theory Theory of Everything universal grammar University Press variations York