The Artful Universe ExpandedOUP Oxford, 2011 M03 10 - 336 páginas In The Artful Universe (OUP, 1995) John D. Barrow explored the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our sense of beauty is entirely free and unfettered. It looked at some of the unexpected ways in which the structure of the Universe, its laws, its environments, and above all its underlying mathematical structure imprints itself on our thoughts, our aesthetic preferences, and our views about the nature of things. The exploration embraced topics such as perspective; the size of things and the origins of aesthetics; computer art (posing the question: is it art?); and the origins of our susceptibility to music. Life sales of the hardback totalled just over 25,000 copies. The study of the evolutionary and mathematical underpinnings of our aesthetic sense, and our understanding of the nature and scale of the universe has grown over the past decade, with developments in evolutionary psychology, and in cosmology. This paperback of the revised edition (OUP, 2005) contains eight new sections covering the recent discoveries of extrasolar planets, fashionable postmodernist rejection of science as uncovering objective reality, growing understanding of key ratios appearing in biological relationships, and studies of the underlying mathematical structure of a Pollock painting. |
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... display the crowning successes of the objective and subjective views of the world. But while they spring from a shared source—the careful observation of things—they evoke different theories about the world: what it means, what its inner ...
... display the crowning successes of the objective and subjective views of the world. But while they spring from a shared source—the careful observation of things—they evoke different theories about the world: what it means, what its inner ...
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... display. Just as science has for too long focused almost exclusively upon the regularities and simplicities of the world at the expense of the irregularities and complexities, so our contemplation of the arts has over-indulged the ...
... display. Just as science has for too long focused almost exclusively upon the regularities and simplicities of the world at the expense of the irregularities and complexities, so our contemplation of the arts has over-indulged the ...
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... information on a at surface. Our eyes are immediately sensitive to its absence or imperfect presence: it is the touchstone of realism in representational art. Traditionally, the systematic use of perspective is traced from its display in.
... information on a at surface. Our eyes are immediately sensitive to its absence or imperfect presence: it is the touchstone of realism in representational art. Traditionally, the systematic use of perspective is traced from its display in.
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John Barrow. systematic use of perspective is traced from its display in a work by Masaccio, painted between 1424 and 1426, called The Rendering of the Tribute Money (Plate 2). Here, three separate scenes are given relative depth by the ...
John Barrow. systematic use of perspective is traced from its display in a work by Masaccio, painted between 1424 and 1426, called The Rendering of the Tribute Money (Plate 2). Here, three separate scenes are given relative depth by the ...
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... displays the colours of three kinds of phosphorescent material that glow when struck by the electron beam that is ... display of coloured points as an integrated colour picture. Since the intensities of the primary colours, like red ...
... displays the colours of three kinds of phosphorescent material that glow when struck by the electron beam that is ... display of coloured points as an integrated colour picture. Since the intensities of the primary colours, like red ...
Contenido
branching | |
the evolution of cooperation | |
the art of landscape | |
the dilemma of computer | |
The heavens and the Earth | |
The natural history of noise | |
Alls well that ends well | |
Tales of the unexpected | |
the fabric of the world | |
Illustration acknowledgements | |
Index | |
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1/f noise ability adaptation aesthetic ancient animals appears appreciation Aratus artistic astrological astronomical atoms axis behaviour body brain Celestial Pole changes colour complexity computer art constellations create creatures cultures cycle display diversity Earth Earth’s surface eclipse Einstein’s emotional environment Eudoxus evolution evolutionarily stable strategy evolutionary evolved exist extrasolar planets extraterrestrial forces fractal frequency galaxies genetic gravity Hipparchus human images increase instinctive inuence landscape language latitude laws of Nature light linguistic living things Mars mathematicians mathematics mind Moon motion natural selection noise obliquity observer orbit organisms patterns period planets Pollock possible precession produce range reality reason reect reection responses rotation sabbath sensitivity shown in Figure simulated simulated reality solar system sound species spectrum stars strategy structure sucient survival symbols symmetry theory Theory of Everything universal grammar University Press variations York