The Artful Universe ExpandedOUP Oxford, 2011 M03 10 - 336 páginas In The Artful Universe (OUP, 1995) John D. Barrow explored the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our sense of beauty is entirely free and unfettered. It looked at some of the unexpected ways in which the structure of the Universe, its laws, its environments, and above all its underlying mathematical structure imprints itself on our thoughts, our aesthetic preferences, and our views about the nature of things. The exploration embraced topics such as perspective; the size of things and the origins of aesthetics; computer art (posing the question: is it art?); and the origins of our susceptibility to music. Life sales of the hardback totalled just over 25,000 copies. The study of the evolutionary and mathematical underpinnings of our aesthetic sense, and our understanding of the nature and scale of the universe has grown over the past decade, with developments in evolutionary psychology, and in cosmology. This paperback of the revised edition (OUP, 2005) contains eight new sections covering the recent discoveries of extrasolar planets, fashionable postmodernist rejection of science as uncovering objective reality, growing understanding of key ratios appearing in biological relationships, and studies of the underlying mathematical structure of a Pollock painting. |
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... minds and bodies in ways that shape their structures, their fascinations, and their biases. Astronomers have revealed that we live in a Universe that is big and old, dark and cold; yet it could be no other way. For we shall find that ...
... minds and bodies in ways that shape their structures, their fascinations, and their biases. Astronomers have revealed that we live in a Universe that is big and old, dark and cold; yet it could be no other way. For we shall find that ...
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... minds, and human creativity has been quick to see complexity, slow to appreciate simplicity. Science, brought up to reect on symmetry, has at long last begun to appreciate diversity. In the fruits of creative activity, science will find ...
... minds, and human creativity has been quick to see complexity, slow to appreciate simplicity. Science, brought up to reect on symmetry, has at long last begun to appreciate diversity. In the fruits of creative activity, science will find ...
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... mind-benders: distortions of thought and space The inheritors: adaptation and evolution After Babel: a linguistic digression A sense of reality: the evolution of mental pictures Gravity's rainbow: the fabric of the world Chronicle of a ...
... mind-benders: distortions of thought and space The inheritors: adaptation and evolution After Babel: a linguistic digression A sense of reality: the evolution of mental pictures Gravity's rainbow: the fabric of the world Chronicle of a ...
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... mind that sets it apart from the unfeeling whirl of electrons and galaxies that scientists assure us is the way of ... minds and bodies witness to a long history of subtle adaptations to the nature of the world and its other occupants ...
... mind that sets it apart from the unfeeling whirl of electrons and galaxies that scientists assure us is the way of ... minds and bodies witness to a long history of subtle adaptations to the nature of the world and its other occupants ...
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... mind, and by the collective human activities of scientists, that they think that this is all there is to it. But while science certainly embodies those human elements, it is an unjustified leap of logic to conclude that it is therefore ...
... mind, and by the collective human activities of scientists, that they think that this is all there is to it. But while science certainly embodies those human elements, it is an unjustified leap of logic to conclude that it is therefore ...
Contenido
branching | |
the evolution of cooperation | |
the art of landscape | |
the dilemma of computer | |
The heavens and the Earth | |
The natural history of noise | |
Alls well that ends well | |
Tales of the unexpected | |
the fabric of the world | |
Illustration acknowledgements | |
Index | |
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1/f noise ability adaptation aesthetic ancient animals appears appreciation Aratus artistic astrological astronomical atoms axis behaviour body brain Celestial Pole changes colour complexity computer art constellations create creatures cultures cycle display diversity Earth Earth’s surface eclipse Einstein’s emotional environment Eudoxus evolution evolutionarily stable strategy evolutionary evolved exist extrasolar planets extraterrestrial forces fractal frequency galaxies genetic gravity Hipparchus human images increase instinctive inuence landscape language latitude laws of Nature light linguistic living things Mars mathematicians mathematics mind Moon motion natural selection noise obliquity observer orbit organisms patterns period planets Pollock possible precession produce range reality reason reect reection responses rotation sabbath sensitivity shown in Figure simulated simulated reality solar system sound species spectrum stars strategy structure sucient survival symbols symmetry theory Theory of Everything universal grammar University Press variations York