The Artful Universe ExpandedOUP Oxford, 2011 M03 10 - 336 páginas In The Artful Universe (OUP, 1995) John D. Barrow explored the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our sense of beauty is entirely free and unfettered. It looked at some of the unexpected ways in which the structure of the Universe, its laws, its environments, and above all its underlying mathematical structure imprints itself on our thoughts, our aesthetic preferences, and our views about the nature of things. The exploration embraced topics such as perspective; the size of things and the origins of aesthetics; computer art (posing the question: is it art?); and the origins of our susceptibility to music. Life sales of the hardback totalled just over 25,000 copies. The study of the evolutionary and mathematical underpinnings of our aesthetic sense, and our understanding of the nature and scale of the universe has grown over the past decade, with developments in evolutionary psychology, and in cosmology. This paperback of the revised edition (OUP, 2005) contains eight new sections covering the recent discoveries of extrasolar planets, fashionable postmodernist rejection of science as uncovering objective reality, growing understanding of key ratios appearing in biological relationships, and studies of the underlying mathematical structure of a Pollock painting. |
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... past environment has fashioned concepts of favourable environments which, in turn, inuence our artistic appreciation of landscape. This will reveal new things about our ambiguous attraction to works of computer art and lead us to ...
... past environment has fashioned concepts of favourable environments which, in turn, inuence our artistic appreciation of landscape. This will reveal new things about our ambiguous attraction to works of computer art and lead us to ...
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... past experiences—all have the power to capture our attention. And, if we can't watch real life, then we are drawn into the virtual worlds of the cinema, television pictures, and videos. You may even find yourself reading a book. While ...
... past experiences—all have the power to capture our attention. And, if we can't watch real life, then we are drawn into the virtual worlds of the cinema, television pictures, and videos. You may even find yourself reading a book. While ...
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... past. There has always been a divide between those who view science as the discovery of real things and those who regard it as an elaborate mental creation designed to make sense of some unknowable reality. The former view is attractive ...
... past. There has always been a divide between those who view science as the discovery of real things and those who regard it as an elaborate mental creation designed to make sense of some unknowable reality. The former view is attractive ...
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... past. We then turn from sight to sound, to explore the origins of our susceptibility to music. Why do we like it? Where did it come from? Full of sound and fury, does it signify anything? These are some of the questions that guide our ...
... past. We then turn from sight to sound, to explore the origins of our susceptibility to music. Why do we like it? Where did it come from? Full of sound and fury, does it signify anything? These are some of the questions that guide our ...
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... past. Other creatures, like crocodiles, lack this ability to link past, present, and future, and live in an eternal present. All plants and animals have encoded a model, or embodied a theory, about the Universe that.
... past. Other creatures, like crocodiles, lack this ability to link past, present, and future, and live in an eternal present. All plants and animals have encoded a model, or embodied a theory, about the Universe that.
Contenido
branching | |
the evolution of cooperation | |
the art of landscape | |
the dilemma of computer | |
The heavens and the Earth | |
The natural history of noise | |
Alls well that ends well | |
Tales of the unexpected | |
the fabric of the world | |
Illustration acknowledgements | |
Index | |
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1/f noise ability adaptation aesthetic ancient animals appears appreciation Aratus artistic astrological astronomical atoms axis behaviour body brain Celestial Pole changes colour complexity computer art constellations create creatures cultures cycle display diversity Earth Earth’s surface eclipse Einstein’s emotional environment Eudoxus evolution evolutionarily stable strategy evolutionary evolved exist extrasolar planets extraterrestrial forces fractal frequency galaxies genetic gravity Hipparchus human images increase instinctive inuence landscape language latitude laws of Nature light linguistic living things Mars mathematicians mathematics mind Moon motion natural selection noise obliquity observer orbit organisms patterns period planets Pollock possible precession produce range reality reason reect reection responses rotation sabbath sensitivity shown in Figure simulated simulated reality solar system sound species spectrum stars strategy structure sucient survival symbols symmetry theory Theory of Everything universal grammar University Press variations York