The Artful Universe ExpandedOUP Oxford, 2011 M03 10 - 336 páginas In The Artful Universe (OUP, 1995) John D. Barrow explored the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our sense of beauty is entirely free and unfettered. It looked at some of the unexpected ways in which the structure of the Universe, its laws, its environments, and above all its underlying mathematical structure imprints itself on our thoughts, our aesthetic preferences, and our views about the nature of things. The exploration embraced topics such as perspective; the size of things and the origins of aesthetics; computer art (posing the question: is it art?); and the origins of our susceptibility to music. Life sales of the hardback totalled just over 25,000 copies. The study of the evolutionary and mathematical underpinnings of our aesthetic sense, and our understanding of the nature and scale of the universe has grown over the past decade, with developments in evolutionary psychology, and in cosmology. This paperback of the revised edition (OUP, 2005) contains eight new sections covering the recent discoveries of extrasolar planets, fashionable postmodernist rejection of science as uncovering objective reality, growing understanding of key ratios appearing in biological relationships, and studies of the underlying mathematical structure of a Pollock painting. |
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... understand the Universe, intelligence and longevity may not be enough. Our own scientific development will be seen ... understanding of the world would be greatly diminished, and our beliefs about the meaning of our own place in the ...
... understand the Universe, intelligence and longevity may not be enough. Our own scientific development will be seen ... understanding of the world would be greatly diminished, and our beliefs about the meaning of our own place in the ...
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... light—coloured light. Light and life combine in ways that enable us to understand our perceptions of colour and some of its deep psychological inuences upon us. In surprising ways, our systems of timekeeping also mask ancient.
... light—coloured light. Light and life combine in ways that enable us to understand our perceptions of colour and some of its deep psychological inuences upon us. In surprising ways, our systems of timekeeping also mask ancient.
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... understanding of what music is, and in what ways its universal appeal might be an inevitable by-product of adaptations to other aspects of the environment around us. The humanities are not manifestations of human creativity alone ...
... understanding of what music is, and in what ways its universal appeal might be an inevitable by-product of adaptations to other aspects of the environment around us. The humanities are not manifestations of human creativity alone ...
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... an advanced knowledge of geometry, perspective, and the behaviour of light. But on the other, it requires us to empty ourselves of our understanding of what is set being represented. If we believe the child we are drawing.
... an advanced knowledge of geometry, perspective, and the behaviour of light. But on the other, it requires us to empty ourselves of our understanding of what is set being represented. If we believe the child we are drawing.
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... understanding of colour vision and mixing. Seurat's technique of covering a canvas with a multitude of tiny dots of different colour but similar size, illustrates the principle of colour mixing that our television pictures employ. A ...
... understanding of colour vision and mixing. Seurat's technique of covering a canvas with a multitude of tiny dots of different colour but similar size, illustrates the principle of colour mixing that our television pictures employ. A ...
Contenido
branching | |
the evolution of cooperation | |
the art of landscape | |
the dilemma of computer | |
The heavens and the Earth | |
The natural history of noise | |
Alls well that ends well | |
Tales of the unexpected | |
the fabric of the world | |
Illustration acknowledgements | |
Index | |
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1/f noise ability adaptation aesthetic ancient animals appears appreciation Aratus artistic astrological astronomical atoms axis behaviour body brain Celestial Pole changes colour complexity computer art constellations create creatures cultures cycle display diversity Earth Earth’s surface eclipse Einstein’s emotional environment Eudoxus evolution evolutionarily stable strategy evolutionary evolved exist extrasolar planets extraterrestrial forces fractal frequency galaxies genetic gravity Hipparchus human images increase instinctive inuence landscape language latitude laws of Nature light linguistic living things Mars mathematicians mathematics mind Moon motion natural selection noise obliquity observer orbit organisms patterns period planets Pollock possible precession produce range reality reason reect reection responses rotation sabbath sensitivity shown in Figure simulated simulated reality solar system sound species spectrum stars strategy structure sucient survival symbols symmetry theory Theory of Everything universal grammar University Press variations York