Patterns in Shakespearian TragedyMethuen, 1960 - 205 páginas |
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Página 8
... human damnation , whether or not we so believe outside the theatre . We need not be Christians to appreciate ... human experience . If no two tragedies are exactly alike , it is because the questions with which they deal are themselves ...
... human damnation , whether or not we so believe outside the theatre . We need not be Christians to appreciate ... human experience . If no two tragedies are exactly alike , it is because the questions with which they deal are themselves ...
Página 66
... human short- comings which reveal him as neither a God - figure nor a patho- logical study , but as a symbol of ordinary humanity . At the end of the play Hamlet learns to accept the order of the universe and to become a passive ...
... human short- comings which reveal him as neither a God - figure nor a patho- logical study , but as a symbol of ordinary humanity . At the end of the play Hamlet learns to accept the order of the universe and to become a passive ...
Página 185
... human affections which link all of humanity in spite of social rank . It leads at last to the sin of pride . Coriolanus , like the earlier Titus Andronicus , acts from motives which are themselves great and noble , but in whose very ...
... human affections which link all of humanity in spite of social rank . It leads at last to the sin of pride . Coriolanus , like the earlier Titus Andronicus , acts from motives which are themselves great and noble , but in whose very ...
Contenido
Introduction | 1 |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
Derechos de autor | |
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Términos y frases comunes
accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Roman Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition tragic hero universe unnatural victory virtue Volumnia Wilson Knight wrong moral choice