Plate XV. Vol. III. facing p.182. N. Blakey inv.et del. Ravent Sculp What brought S." Visto's ill-got Wealth to waste? Some Dæmon whisperd Visto! have a Taste!... Ep: on saste: Think we all these are for himself? no more For what has Virro painted, built, and planted? See! sportive fate, to punish aukward pride, NOTES. rope of natural curiofities; | most of it; and fo indeed both men of great learning and humanity. P. VER. 12. Than his fine Wife, alas! or finer Whore.] By the Author's manner of putting together these two different Utenfils of falfe Magnificence, it appears, that, properly speaking, neither the Wife nor the Whore is the real object of modern tafte, but the Finery only: And whoever wears it, whether the Wife or the Whore, it matters not; any further than that the latter is thought to deserve it beft, as appears from her having becomes, by accident, the more fashionable Thing of the two. SCRIBL. VER. 18. Ripley] This man was a carpenter, employed by a firft Minister, who raised him to an Architect, without any genius in the art; and after fome wretched proofs of his infufficiency in public Buildings, made him Comptroller of the Board of works. P. VER. 19. See! Sportive fate, to punish aukward pride,] Pride is one of the greatest mischiefs, as well as absurdities of our nature; A ftanding fermon, at each year's expence, You fhow us, Rome was glorious, not profuse, And pompous buildings once were things of Use. Yet fhall (my Lord) your juft, your noble rules 25 Fill half the land with Imitating-Fools; Who random drawings from your sheets fhall take, And of one beauty many blunders make; VARIATIONS. After 22, in the MS. Muft Bishops, Lawyers, Statesmen, have the skill NOTES. him into the public contempt and ridicule, which his native badnefs of heart fo well deferves. and therefore, as appears | fate or fortune to bring both from prophane and facred Hiftory, has ever been the more peculiar object of divine vengeance. But aukward Pride intimates fuch abilities in its owner, as eafes us of the apprehenfion of much mischief from it; fo that the poet fuppofes fuch a one fecure from the ferious refentment of Heaven, though it may permit VER. 23. The Earl of Burlington was then publifhing the Defigns of Inigo Jones, and the Antiquities of Rome by Palladio. P. VER. 28. And of one beauty many blunders make;] Because the road to Tafte, Load fome vain Church with old Theatric ftate, Reverse your Ornaments, and hang them all 30 On fome patch'd dog-hole ek'd with ends of wall; That, lac'd with bits of ruftic, makes a Front. NOTES. like that to Truth, is but one; and those to Error and Abfurdity a thousand. VER. 30. Turn Arcs of triumph to a Garden-gate ;] This abfurdity feems to have arifen from an injudicious imitation of what thefe Builders might have heard of, 40 at the entrance of the antient Gardens of Rome: But they don't confider, that thofe were public Gardens, given to the people by fome great man after a triumph; to which, therefore, Arcs of this kind were very fuitable ornaments. A Light, which in yourself you must perceive; 45 To build, to plant, whatever you intend, 50 He gains all points, who pleasingly confounds, 55 Surprizes, varies, and conceals the Bounds. NOTES. VER. 46. Inigo Jones, the celebrated Architect, and M. Le Nôtre, the deAgner of the best Gardens of France. P. of a modeft fair; and you begin to hate and nauseate her as a proftitute. VER. 54. Where half the Skill is decently to hide.] If the poet was right in comparing the true drefs of Næture to that of a modeft fair, VER. 53. Let not each beauty ev'ry where be spy'd,] For when the fame beauty obtrudes itself upon you o-it is a plain confequence, ver and over; when it meets you full at whatever place you ftop, or to whatever point you turn, then Nature lofes her proper charms that one half of the defigner's art must be, decently to bide; as the other half is, gracefully to discover. |