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Grove nods at grove, each Alley has a brother,
And half the platform just reflects the other.
The suff'ring eye inverted Nature fees,
Trees, cut to Statues, Statues thick as trees; 120
With here a Fountain, never to be play'd;
And there a Summer-house, that knows no shade;
Here Amphitrite fails thro' myrtle bow'rs;
There Gladiators fight, or die in flow'rs;
Un-water'd see the drooping sea-horse mourn, 125
And swallows rooft in Nilus' dusty Urn.

My Lord advances with majestic mien,
Smit with the mighty pleasure, to be seen:


Ver. 117, 118. Grove rises solely from its fignifinods at grove, each Alley cancy. These groves, that has a brother, And half the have no meaning, but very platform just reflects the o- near relation-ship, can exther.] This is exactly the press themselves only like two puddings of the citizen twin-ideots by nods; which in the foregoing fable, only juft serve to let us underserved

up a little more mag-stand, that they know one nificently: But both on the another, as having been nurfame absurd principle of sed, and brought up by one wrong taste, viz. that one

common parent. can never have too much of

Ver. 124. The two Staa good thing

tues of the Gladiator pugIbid. Grove nods at grove,

nans and Gladiator moriens. &c.] The exquifite hu- P. mour of this expression a

But soft-by regular approach-not yet
First thro' the length of yon hot Terrace sweat; 130
And when up ten steep slopes you've drag'd your

Just at his Study-door he'll bless your eyes.

His Study! with what Authors is it ftord ? In Books, not Authors, curious is my Lord; To all their dated Backs he turns you round: 135 These Aldus printed, those Du Suëil has bound. Lo some are Vellom, and the rest as good For all his Lordship knows, but they are Wood. For Locke or Milton 'tis in vain to look, These shelves admit not any modern book. 140


Ver. 130.

The Ap-light chiefly in the elegance proaches and Communication of the print, or of the bindof house with garden, or of ing ; some have carried it one part with another, ill so far, as to cause the upper judged, and inconvenient.P. shelves to be filled with

VER. 133. His Study ! painted books of wood ; 0&c.] The false Tafte in thers pique themselves fo Books ;

a satire on the much upon books in a lanvanity in collecting them, guage they do not undermore frequent in men of itand, as to exclude the Fortune than the study to most useful in 'one they understand them. Many de-do. P,


And now the Chapel's filver bell you hear, That summons you to all the Pride of Pray'r: Light quirks of Music, broken and uneven, Make the soul dance upon a Jig to Heav'n. On painted Cielings you devoutly ftare,

145 Where sprawl the Saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all Paradise before your eye.


VER. 142. That sum- / figures in Churches, &c. mons you to all the Pride of which has obliged fome Pray'r :) This absurdity Popes to put draperies on is very happily expressed; some of those of the beft Pride, of all human follies, masters. P. being the first we should VER. 146. Where sprawl leave behind us when we the Saints of Verrio, or Laapproach the sacred altar. guerre, ] The fine image But he who could take here given in a single word, Meanness for Magnificence, admirably exposes the unmight easily mistake Humi- natural position of the piclity for Meanness.

ture, and the too natural VER. 143. The false poftures of its female fiTaste in Music, improper to gares. the subjects, as of light airs Ibid. Verrio or Laguerrı.] in churches, often practised Verrio ( Antonio ) painted by the organists, &c. P.

many cielings, &c. at Wind

And in for, Hampton-court, &c. and Painting (from wh ch even Laguerre at Blenheim-castle, Italy is not free) < f naked and other places. P.

Ver. 145.

To rest, the Cushion and soft Dean invite,
Who never mentions Hell to ears polite. 150

But hark! the chiming Clocks to dinner call;
A hundred footsteps scrape the marble Hall :
The rich Buffet well-colour'd Serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a Genial room?

No, 'tis a Temple, and a Hecatomb.
A folemn Sacrifice, perform'd in ftate,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread Doctor and his Wand were there.



2. 150.

&c. are introduced in Grote mentions Hell to ears polite.] to's or Buffets. P. This is a fact ; a reverend Ver. 155, Is this a dinDean preaching at Court, ner? &c.] The proud Festithreatned the finner with vals of some men are here punishment in “ a place set forth to ridicule, where * which he thought it not pride destroys the ease, and “ decent to name in so po- formal regularity all the “ lite an afsembly." P. pleasurable enjoyment of

Ver. 153. Taxes the the entertainment. P. incongruity of Ornaments Ver. 156.-a Hecatomb] (tho' sometimes practised by Alluding to the hundred foutthe ancients) where an open steps before. mouth ejects the water into Ver.160. Sancho's dread. a fountain, or where the Doctor) See Don Quixote, shocking images of serpents, chap. xlvii. P.

Between each Act the trembling salvers ring, 161
From soup to sweet-wine, and God bless the King.
In plenty starving, tantaliz’d in state,
And complaisantly help'd to all I hate,
Treated, caress'd, and tir'd, I take my leave,

Sick of his civil Pride from Morn to Eve;
I curse such lavish cost, and little skill,
And swear no Day was ever paft so ill.

Yet hence the Poor are cloath'd, the Hungry fed; Health to himself, and to his Infants bread

170 The Lab'rer bears: What his hard Heart denies, His charitable Vanity supplies. Another


shall see the golden Ear Imbrown the Slope, and nod on the Parterre, Deep Harvests bury all his pride has plann'd, 175 And laughing Ceres re-assume the land.

Who then shall grace, or who improve the Soil ? Who plants like BATHURST, or who builds like



Ver. 169. Yet hence the hands, and diffuses Expence Poor, &c.] The Moral of more than a good one. This the whole, where Provi- recurs to what is laid down dence is justified in giving in Book i. Epift. II. $ 230 Wealth to those who {quan- -7, and in the Epistle preder it in this manner. A ceding this, y 161, &c. P. bad Taste employs more

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