Controversy in Literature: Fiction, Drama, and Poetry, with Related CriticismMorris Freedman, Paul Benjamin Davis Scribner, 1968 - 750 páginas |
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Página 222
... play was about Antigone , and then set about explaining away the last scenes . The most satisfactory proof is performance . Creon can dominate the play ; in the Glasgow production he did , easily and naturally . But even without ...
... play was about Antigone , and then set about explaining away the last scenes . The most satisfactory proof is performance . Creon can dominate the play ; in the Glasgow production he did , easily and naturally . But even without ...
Página 245
... play " threadbare melodrama " ? Why , a play for puritans ? The Devil's Disciple is perhaps the most obvious of Shaw's plays in inverting conventional social definitions of what is good and what is bad . If a playwright were to write a play ...
... play " threadbare melodrama " ? Why , a play for puritans ? The Devil's Disciple is perhaps the most obvious of Shaw's plays in inverting conventional social definitions of what is good and what is bad . If a playwright were to write a play ...
Página 440
... play . The total action of the play , instead of proceeding from Point A to Point B , as in other dramatic conventions , gradually builds up the complex pattern of the poetic image that the play expresses . The spectator's suspense ...
... play . The total action of the play , instead of proceeding from Point A to Point B , as in other dramatic conventions , gradually builds up the complex pattern of the poetic image that the play expresses . The spectator's suspense ...
Contenido
The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 15 |
NATHANIEL HAWTHORNE | 26 |
Derechos de autor | |
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Términos y frases comunes
Abraham Absurd ANDERSON answer appear asked ASLAKSEN beauty become believe brother BURGOMASTER called close comes course CREON criticism dead dear death door DUDGEON effect expression eyes face fact faith father fear feeling follow give goes hand happy head hear heard heart hold HOVSTAD human idea interpretation JONATHAN JUDITH keep leave light live look MADAME ROSEPETTLE meaning mind mother move nature never night NUMBER once passed perhaps PETRA play poem poet poetry present question reality RICHARD ROSALIE seems sense soul speak stand STOCKMANN story sure tell Theatre thee thing thou thought town true truth turn understand veil voice waiter walks whole young