Controversy in Literature: Fiction, Drama, and Poetry, with Related CriticismMorris Freedman, Paul Benjamin Davis Scribner, 1968 - 750 páginas |
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Página 419
... QUESTION MAN continues his single question , following the two figures with his mike as they further turn and unwind away from each other . ) SPEECH : What is a mate ? What is a man ? I say , what is man ? " Man is a self - balancing ...
... QUESTION MAN continues his single question , following the two figures with his mike as they further turn and unwind away from each other . ) SPEECH : What is a mate ? What is a man ? I say , what is man ? " Man is a self - balancing ...
Página 567
... question : " Did she put on . ? " In this last of a series of three questions asked in our poem ( of which the first two are purely rhetorical ) , I see the apex of a line that develops from empathy to objectivity . The first question ...
... question : " Did she put on . ? " In this last of a series of three questions asked in our poem ( of which the first two are purely rhetorical ) , I see the apex of a line that develops from empathy to objectivity . The first question ...
Página 699
... question of real importance is not whether Eliot , Murry , and Garrod are right in thinking that " Beauty is truth , truth beauty " injures the poem . The question of real importance concerns beauty and truth in a much more general way ...
... question of real importance is not whether Eliot , Murry , and Garrod are right in thinking that " Beauty is truth , truth beauty " injures the poem . The question of real importance concerns beauty and truth in a much more general way ...
Contenido
The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 15 |
NATHANIEL HAWTHORNE | 26 |
Derechos de autor | |
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Abraham Absurd ANDERSON answer appear asked ASLAKSEN beauty become believe brother BURGOMASTER called close comes course CREON criticism dead dear death door DUDGEON effect expression eyes face fact faith father fear feeling follow give goes hand happy head hear heard heart hold HOVSTAD human idea interpretation JONATHAN JUDITH keep leave light live look MADAME ROSEPETTLE meaning mind mother move nature never night NUMBER once passed perhaps PETRA play poem poet poetry present question reality RICHARD ROSALIE seems sense soul speak stand STOCKMANN story sure tell Theatre thee thing thou thought town true truth turn understand veil voice waiter walks whole young