And though his race was blest before, 'Twill bud with sorrows weeping sore, And never ending once begun. But I think not, as think the crowd: The impious doer still begets Children and heirs of all his wicked deeds: Whilst from the house of righteous men, Who even-handed justice love, Comes a long line of children good and fair. Now its old crimes by time are half effaced, Agamemnon now returns, borne in a sort of triumphal procession; and seated in another car, laden with booty, follows Cassandra, his prisoner of war, and mistress, according to the privilege of the heroes of those days. Clytemnestra greets him with hypocritical joy and veneration; she orders her slaves to cover the ground with the most costly embroideries of purple, that it might not be touched by the foot of the conqueror. Agamemnon, with wise moderation, at first refuses to receive an honour due only to the Gods; at last he yields to her invitations, and enters the house. The Chorus then begin to utter dark forebodings. Clytemnestra returns to allure Cassandra to her destruction by the art of soft persuasion. The latter remains dumb and motionless; but the queen is hardly gone, when, seized with a prophectic rage, she breaks out into the most perplexing lamentations, and afterwards unveils her prophecies more distinctly to the Chorus:-she sees in her mind all the enormities which have been perpetrated in that house: the repast of Thyestes, which the sun refused to look on; the shadows of the dilacerated children gazing down on her from the battlements of the palace. She sees also, the death prepared both for Agamemnon and herself-and then, as if seized with overpowering fury, rushes maniaclike, into the house to meet her doom. CLYTEMNESTRA, CASSANDRA, CHORUS. Clyt. Go in-go in! Cassandra! thee I mean, Enter thou too! since in this mansion Jove Has placed thee, nothing wrathfully, to share With many a slave the lavers, as thou stand'st By th' altar of our fortune-giving God.* Come forth from out that wain: neither be thou O'erweening, too high-stomach'd for thy lot;— Such once was that of great Alcmena's son. Chor. O be persuaded; come down from thy car. Clyt. I have no time for dallying here; already The victims, rang'd for sacrifice, demand Our presence. Wouldst thou do our bidding, Take no long time in doing it. If thy tongue * Κτησίου βωμού. The altar placed in the buttery, or place where provisions were kept, was consecrated to Ctesian Jove, or Jove the Guardian of Property. Ill do these notes of grief accord with him. Cass. Apollo! O Apollo! my Apollo! Ah! whither hast thou brought me? To what house? Chor. Ask'st thou what house? It is the royal house Of the Atrida-what I speak is truth. Cass. Ha! ha! that dismal and abhorred house! The good Gods hate its dark and conscious walls! It knows of kinsmen by their kinsmen slain, Chor. The stranger's like a quick-nosed hound, Keep the bull from the heifer, drive, drive her Of strange, terrific, and unearthly choirs, away! The bull is enchafed and hoodwink'd, and roars; His black branching horns have received the death-stab. Singing in horrid, full, harmonious chord. He sprawls and falls headlong! he lies in the The Masque of Sisters! the Erinnyes drear! bath, Beside the great smouldering caldron that burns! The caldron burns,-it has a deadly blue! Chor. No deep skill boast I in the spell of Gods; And yet methinks all that she says bears in't The stamp of ill; but when has aught of good From the divining power to man accrued? Its deep ambiguous terms the truth invest With mysteries that awe the inmost soul. Cass. Alas! alas! ah, wretch! ah, luckless fate! Myself, myself I moan! Wretch that I am! why hast thou brought me here, Unless to lie beside him in his death? Chor. O sure thou art one of a deep-raging soul, Driven mad by some god, and, (like her, the sweet bird, Who wails Ityn, her Ityn,) with unwearied voice, But vex'd heart, pouring forth thy sad lay. Cass. Ah, ah! the shrill Nightingale! O how I They are all seated in the rooms above, Chor. How can an oath, the evil fix'd so fast, Help it or cure it? But thou movest our wonder, Bred in strange land, in city stranger-tongued, Far beyond seas, that thou shouldst speak as if Thou hadst been present at the scenes thou speak'st of. Cass. Prophet Apollo gave me this high boon. Chor. From love of thee? the God, felt he de sire? Cass. Before this hour I fear'd for shame to tell it. Chor. Ay, for great folks are delicate and nice. Cass. He was a champion, vehemently breath ing The breath of love and pleasing fire upon me. Chor. Came there a marriage then 'twixt him and thee? Cass. I said it should be, but I spoke him false.t Chor. At that time was thou of his arts possest? Cass. E'en so, that I was then a prophetess Foretelling to my country all its woes! *The crime in the family of Atreus, here alluded to, was the adultery of Thyestes with Aërope, his brother's wife, which formed the subject of Euripides' Cress. otherwise the first crime upon record of this unfortunate family was the treacherous murder of Myrtilus by Pelops, on the false accusation of his wife Hippodamia. See the story told at full length, and not much to the credit of this young Grecian princess, in Eustathius, 185, edit. Rom. The intrigue of Thyestes and Aërope is alluded to also in Eurip. Elec. 720. to her of inspiration, and her chaste deception of him, All this story of Apollo's love for Cassandra, his gift are commonly known. Lycophron, in his Alexandra, makes her give the same history of it. Chor. How then? And didst thou 'scape | Off with ye, laurels, necklaces, and wands! The crown of the prophetic maiden's gone! Apollo's wrath? Cass. For my transgression, none believed my words! Chor. To us thy words seem worthy of belief. Horrible shadows! with hands full of flesh! And keeps house close, until the coming of No, 'tis all joy, and welcome home, sweet lord, Chor. Thyestes' bloody feast I oft have heard of Her drift beyond that point I cannot see. Cass. I say, thou shalt see Agamemnon's death! Chor. What man such execrable deed designs? Cass. What man? I pity thee; thou art won drous dim, And hast o'erlooked my oracles indeed. Chor. But they are dark, and hard for us to find. Cass. O what a mighty fire comes rolling on me! Help! help! Lycean Apollo! Ah me! ah me! [Tearing her robes. Away, away! die ye ere yet I die! Another gallant at death-deeds will come! I say, the gods have sworn that he shall come. I have a word with ye, ye gates of hell! Chor. O woeful creature, woeful, too, and wise! Cass. Hide where I will; there's no escape from fate. Chor. Yet is there some advantage in delay. Cass. My day is come, by flight I should gain little. Chor. Know then, thou'lt suffer from being over bold. Cass. But to die gloriously is honour's crown. Chor. None ever hears the happy speak such words. Cass. Oh Father! oh!-Thou and thy noble sons! [Starting back. Chor. What ails thee now? What caus'd that | sidered, in some degree, as a history of that great Chor. What means foh, foh? Some loathing at thy heart? Cass. The house breathes scents of murder. Cass. Wailing my own and Agamemnon's fate, When the day comes that blood shall flow for Woman's for woman's; Man's for man's, for this Chor. Oh! I do pity thee, unhappy maid! Cass. Once more! once more! oh let my voice be heard! I love to sing the dirges of the dead, My own death knell, myself my death knell The sun rides high, but soon will set for me; [Exit CASSANDRA. Scarcely has the prophetess withdrawn, than we hear behind the scenes the groans of the murdered king. The palace opens and Clytemnestra is seen standing beside the dead body of her lord-an undaunted criminal, who not only confesses the deed, but boasts of it as a just requital for Agamemnon's sacrifice of Iphigeneia to his own ambition. ON THOSE WHO FELL AT THER- THESE, too, defenders of their country fell; FROM THE PERSIANS. Of Salamis and all the neighbouring shores. Chor. Raise the funereal cry, with dismal notes Wailing the wretched Persians. Oh, how ill They planned their measures! All their army perished! "THE PERSIANS" may be considered rather in the light of a proud triumphal song in honour of Liberty, than of a regular tragedy. It was exhibited eight years after the defeat of Xerxes at Salamis, whilst the memory of each circumstance Mess. O Salamis, how hateful is thy name! was yet recent, so that the narration may be con- Oh, how my heart groans but to think of Athens! Chor. How dreadful to her foes! Call to re- Rush to encounter with the Persian hosts. membrance How many Persian dames, wedded in vain, Hath Athens of their noble husbands widow'd? Atoss. Astonied with these ills, my voice thus long Hath wanted utterance: griefs like these exceed Dying hath left his troops without a lord? Mess. Know then, in numbers the barbaric fleet Was far superior: in ten squadrons, each Of thirty ships, Greece plough'd the deep; of these One held a distant station. Xerxes led A thousand ships; their number well I know; Two hundred more, and seven, that swept the seas With speediest sail: this was their full amount. Mess. Xerxes himself lives, and beholds the Their firmest bulwarks her heroic sons. light. Atoss. Which navy first advanced to the attack? Atoss. That word beams comfort on my house, Who led to the onset, tell me; the bold Greeks, a ray That brightens through the melancholy gloom. Mess. Artembares, the potent chief that led Ten thousand horse, lies slaughtered on the rocks Of rough Silenia. The great Dadaces, Beneath whose standard march'd a thousand horse, Or, glorying in his numerous fleet, my son? Forth from the troops of Athens came a Greek, Pierced by a spear, fell headlong from the ship. Shall quit their station; rushing to their oars Tenagon, bravest of the Bactrians, lies Roll'd on the wave-worn beach of Ajax' isle. Lilæus, Arsames, Argestes, dash With violence in death against the rocks They mean to separate, and in secret flight Where nest the silver doves.* Arcteus, that Gave his high charge :-" Soon as yon sun shall dwelt Near to the fountains of the Egyptian Nile, On jet-black steeds, with purple gore distain'd The illustrious Ariomardus; long his loss Atoss. This is the height of ill, ah me! and shame To Persia, grief, and lamentation loud. cease To dart his radiant beams, and dark'ning night In three divisions your well-ordered ships, Of Salamis. Should Greece escape her fate, en'd earth; At once from ev'ry Greek with glad acclaim From their high hopes; no flight this solemn strain On daring battle; while the trumpet's sound * Salamis was the birth-place of Ajax, and sacred to Kindled the flames of war. But when their oars Venus; hence it was said to abound with doves. The pæan ended, with impetuous force |