Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions, Volumen1,Parte2W. Pickering, 1847 |
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Página 120
... intuition of beauty . " CHAPTER VII . Of the necessary consequences of the Hartleian The- ory - Of the original mistake or equivocation which procured its admission - Memoria technica . E will pass by the utter incompatibility of such a ...
... intuition of beauty . " CHAPTER VII . Of the necessary consequences of the Hartleian The- ory - Of the original mistake or equivocation which procured its admission - Memoria technica . E will pass by the utter incompatibility of such a ...
Página 135
... intuition , is , we may analyse for ever — may divide it mechanically or chemically : we never get further than to the surfaces of bodies . That alone in matter which is indestructible is its indwelling power , which discovers itself to ...
... intuition , is , we may analyse for ever — may divide it mechanically or chemically : we never get further than to the surfaces of bodies . That alone in matter which is indestructible is its indwelling power , which discovers itself to ...
Página 136
... intuitions , from the hypothesis that in any givend perception there is a something which has been come municated to it by an impact , or an impression ab ex tra . In the first place , by the impact on the percipient , [ [ For great ...
... intuitions , from the hypothesis that in any givend perception there is a something which has been come municated to it by an impact , or an impression ab ex tra . In the first place , by the impact on the percipient , [ [ For great ...
Página 139
... is nothing immediate , and Intuition itself , in which spirit and ob- ject meet , is to him but a dead thought . " Transl . S. C. ] 27 neither involves the explanation , nor precludes the necessity BIOGRAPHIA LITERARIA . 139.
... is nothing immediate , and Intuition itself , in which spirit and ob- ject meet , is to him but a dead thought . " Transl . S. C. ] 27 neither involves the explanation , nor precludes the necessity BIOGRAPHIA LITERARIA . 139.
Página 175
... intuition , used sometimes subjectively , sometimes ob- jectively , even as we use the word , thought ; now as the thought , or act of thinking , and now as a thought , or the object of our reflection ; and we do this without confusion ...
... intuition , used sometimes subjectively , sometimes ob- jectively , even as we use the word , thought ; now as the thought , or act of thinking , and now as a thought , or the object of our reflection ; and we do this without confusion ...
Otras ediciones - Ver todas
Biographia Literaria Samuel Taylor Coleridge,Henry Nelson Coleridge,Sara Coleridge Coleridge Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute appear Archdeacon Hare Aristotle become Behmen BIOGRAPHIA LITERARIA cause Coleridge Coleridge's common consciousness consequences Dequincey distinct divine doctrine edition equally Essay evil existence faculty fancy feelings Fichte finite freedom genius German ground Hartley's heart honour human idea identity Imagination impression infinite intellectual intelligence intuition Jacobin Kant knowledge language latter least Leibnitz less literary literature logical Maasz Malebranche means ment metaphysical mind moral Morning Post natural philosophy nature never notion object opinion original Pantheism paragraph passage perception phænomena philosophy Plato Plotinus poems Poet possible present principles reader reality reason remarks representation S. T. C. Ibid SAMUEL TAYLOR COLERIDGE says Schelling Schelling's SCHOLIUM Schrift self-consciousness sensation sense sentence soul Spinoza spirit suppose Synesius THESIS things thought tion transcendental Transfc Transl true truth understanding volume whole William Law words writings καὶ τὸ
Pasajes populares
Página 290 - The Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE.
Página 289 - The IMAGINATION, then, I consider either as primary or secondary. The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
Página 319 - But our ideas being nothing but actual perceptions in the mind, which cease to be any thing when there is no perception of them, this laying up of our ideas in the repository of the memory signifies no more but this, that the mind has a power in many cases to revive perceptions which it has once had, with this additional perception annexed to them, that it has had them before.
Página 290 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible, yet still at all events it Struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
Página 279 - Adam, one Almighty is, from whom All things proceed, and up to him return, If not depraved from good, created all Such to perfection, one first matter all, Endued with various forms, various degrees Of substance, and, in things that live, of life...
Página 263 - ... the SUM or I AM ; which I shall hereafter indiscriminately express by the words spirit, self, and self-consciousness. In this, and in this alone, object and subject,10 being and knowing are identical, each involving, and supposing the other. In other words, it is a subject which becomes a subject by the act of constructing itself objectively to itself...
Página 279 - To vital spirits aspire, to animal, To intellectual; give both life and sense, Fancy and understanding; whence the soul Reason receives, and reason is her being, Discursive, or intuitive; discourse Is oftest yours, the latter most is ours, Differing but in degree, of kind the same.
Página 226 - Thence what the lofty grave tragedians taught In chorus or iambic, teachers best Of moral prudence, with delight received In brief sententious precepts, while they treat Of fate, and chance, and change in human life, High actions, and high passions best describing : Thence to the famous orators repair, Those ancient, whose resistless eloquence Wielded at will that fierce democratic, Shook the arsenal, and fulmined over Greece To Macedon and Artaxerxes...
Página 226 - It cannot be valued with the gold of Ophir, with the precious onyx, or the sapphire.
Página 289 - The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM...