Vision and Disenchantment: Blake's Songs and Wordsworth's Lyrical BalladsCUP Archive, 1983 M07 7 - 399 páginas Blake's Songs of Innocence and of Experience and Wordsworth's contributions to Lyrical Ballads were both published in the last decade of the eighteenth century. The similarities between the two collections have often been noticed. However, as Dr Glen argues, to assimilate both collections to a common 'Romanticism' is to obscure that which is most distinctive in each. Each was shaped by and responsive to very different social and cultural pressures in the England of its time and offers a very different vision of human possibility. Moreover each poet uses the language which is the intimate register and vehicle of his society's experience in a very different way. This is a challenging and persuasive interpretation of poems too often seen as part of a coherent and accepted literary tradition: poems which present a continuing challenge to all who would explore possibilities for creative social change. It will be of great interest to all serious readers of Romantic poetry. |
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Contenido
Lyrical Ballads | 33 |
The Real Language of Men | 57 |
Songs of Innocence | 110 |
Songs of Experience | 165 |
Lyrical Ballads 1798 | 224 |
the Goslar Lyrics | 260 |
the Poems of Grasmere | 303 |
Otras ediciones - Ver todas
Vision and Disenchantment: Blake's Songs and Wordsworth's Lyrical Ballads Heather Glen Sin vista previa disponible - 1983 |
Términos y frases comunes
Abstract acceptance active actual affirmation answer appear articulated attempt become beginning Blake called central child closing common contemporary continuing created creative culture desire discussion distance Divine earlier effect eighteenth-century expected experience exploration expression face fact familiar feeling final gives heart Holy human imaginative implicit individual ironic kind language less Letters lines living London Lyrical Ballads Magazine marks Marxism meaning merely mind mode moral nature never object offers once opening particular past Peace perhaps Pity play poem poetic poetry polite poor portrayed possibility present question radical reader reality realized relation relationship remains seems seen sense separate shared significant simply social society Songs of Innocence speaker stanza story suggests thing thought traced Tree turn verse virtues vision voice volume whole Wordsworth writings written
Referencias a este libro
Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen Adela Pinch Vista previa limitada - 1996 |
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson Sin vista previa disponible - 1987 |