Discourse: A Review of the Liberal Arts, Volúmenes3-4Concordia College, 1960 |
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Página 267
... characters less powerful , among whom that towering character falls . Hans Castorp cannot possibly cast an Oedipus - like shadow since his dramatic course is opposite that of Oedipus . Mann must , therefore , surround him with superior ...
... characters less powerful , among whom that towering character falls . Hans Castorp cannot possibly cast an Oedipus - like shadow since his dramatic course is opposite that of Oedipus . Mann must , therefore , surround him with superior ...
Página 268
... character of reaction rather than of action . But he is not supported by clearly and powerfully realized characters . The poles of opposition between which Laskell is drawn are not powerfully formalized nor dramatically presented , so ...
... character of reaction rather than of action . But he is not supported by clearly and powerfully realized characters . The poles of opposition between which Laskell is drawn are not powerfully formalized nor dramatically presented , so ...
Página 308
... character revelation in all its ramifications . In witnessing the various adven- tures of the good parson , we are constantly aware of this pervasive disparity , but we are also told far more about his character , his fortunes and ...
... character revelation in all its ramifications . In witnessing the various adven- tures of the good parson , we are constantly aware of this pervasive disparity , but we are also told far more about his character , his fortunes and ...
Contenido
Volume III Number | 3 |
Photosynthesis and Solar Energy Projects | 5 |
The Golden Mean Lines from a Play | 15 |
Derechos de autor | |
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