on a coat thrown over his shoulders above his waistcoat and coat. Under this he carried a bundle, and had an apron on, and a night-cap. His face was interesting. He had dark eyes, and a long nose. John, who afterwards met him at Wythburn, took him for a Jew. He was of Scotch parents, but had been born in the army. He had had a wife, ' and a good woman, and it pleased God to bless him with ten children.' All these were dead but one, of whom he had not heard for many years, a sailor. His trade was to gather leeches; but now leeches were scarce, and he had not strength for it. He lived by begging, and was making his way to Carlisle where he would buy a few books to sell. He said leeches were very scarce, partly owing to this dry season; but many years they had been scarce. He supposed it owing to their being much sought after; that they did not breed fast; and were of slow growth. Leeches were formerly 2s. 6d. the 100; now they were 30s. He had been hurt in driving a cart, his leg broken, his body driven over, his skull fractured. He felt no pain till he recovered from his first insensibility. It was late in the evening, when the light was just going away." Wordsworth's own note on this poem illustrates his habit of blending in one description details which were originally separate, both as to time and place. The scenery and the incidents of the poem are alike composite. As he tells us that he met the leech-gatherer a few hundred yards from Dove Cottage, the "lonely place" with its "pool, bare to the eye of heaven," at once suggests White Moss Common and its small tarn or pool. But he adds that, in the opening stanzas of the poem, he is describing a state of feeling he was in, when crossing the Fells at the foot of Ullswater to Askam, and that the image of the hare "running races in her mirth," with the glittering mist accompanying her, was observed by him, not on White Moss Common, but in one of the ridges of Moor Divock.-ED. "I GRIEVED FOR BUONAPARTÉ, &c." [In the cottage of Town-end, one afternoon in 1801, my sister read to me the sonnets of Milton. I had long been well acquainted with them, but I was particularly struck on that occasion with the dignified simplicity and majestic harmony that runs through most of them—in character so totally different from the Italian, and still more so from Shakespeare's fine sonnets. I took fire, if I may be allowed to say so, and produced three sonnets the same afternoon, the first I ever wrote, except an irregular one at school. Of these three the only one I distinctly remember is 'I grieved for Buonaparte, &c.'; one of the others was never written down; the third, which was I believe preserved, I cannot particularise.] I GRIEVED for Buonaparté, with a vain And an unthinking grief! The tenderest mood1 “May 21.-W. wrote two sonnets on Buonaparte, after I had read Milton's sonnets to him" (Dorothy Wordsworth's Diary). The "irregular" sonnet written "at school" to which Wordsworth refers in the Fenwick note to this poem, is doubtless the sonnet published in the European Magazine in 1787, Vol. XI. p. 302, and signed Axiologus.-ED. [Composed just before my Sister and I went to fetch Mrs Wordsworth from Gallow-hill, near Scarborough.] FAREWELL, thou little Nook of mountain-ground Of that magnificent temple which doth bound 1 1836. The vital blood Of that man's mind 1807. For, who aspires To genuine greatness but from just desires, 1815. Sweet garden-orchard, eminently fair, The loveliest spot that man hath ever found, Farewell!—we leave thee to Heaven's peaceful care Thee, and the Cottage which thou dost surround. Our boat is safely anchored by the shore, Sunshine and shower be with you, bud and bell! We go for One to whom ye will be dear; 1 1820. Still come to you 1815. Dear spot which we have watched with tender heed, Hast taken gifts which thou dost little need. And O most constant, yet most fickle Place, Who, being loved, in love no bounds dost know, Help us to tell Her tales of years gone by, And this sweet spring, the best beloved and best; Joy will be flown in its mortality; Something must stay to tell us of the rest. Here, thronged with primroses, the steep rock's breast Glittered at evening like a starry sky; And in this bush our sparrow built her nest, O happy Garden! whose seclusion deep And wild notes warbled among leafy bowers; Into thy bosom we again shall creep. This "little nook of mountain-ground" is in very much the same condition as it was in 1802. The "flowering shrubs" and the "rocky well" still exist, and "the steep rock's breast" is "thronged with primroses" in spring, although the "Bower" is gone, and where it used to be a seat is now erected. May 29.-W. wrote his poem on going to M. H. I wrote it out" (Dorothy Wordsworth's Diary).—ED. THE SUN HAS LONG BEEN SET. Comp. June 8, 1802. Pub. 1807. [This Impromptu appeared, many years ago, among the Author's poems, from which, in subsequent editions, it was excluded. It is reprinted, at the request of the Friend in whose presence the lines were thrown off.] THE sun has long been set, The stars are out by twos and threes, The little birds are piping yet Among the bushes and trees; There's a cuckoo, and one or two thrushes, And a far-off wind that rushes, And a sound of water that gushes,1 And the cuckoo's sovereign cry Fills all the hollow of the sky. In London, "and masquerading," On such a night of June With that beautiful soft half-moon, And all these innocent blisses? On such a night as this is! "June 8th (1802).-W. wrote the poem, 'The sun has long been set"" (Dorothy Wordsworth's Diary). The "Friend in whose presence the lines were thrown off," was his sister.-ED. 1 1836. And a noise of wind that rushes, 1807. |