Mark Twain: Historical Romances (LOA #71): The Prince and the Pauper / A Connecticut Yankee in King Arthur's Court / Personal Recollections of Joan of ArcLibrary of America, 1994 M08 1 - 1050 páginas In the three novels collected in this Library of America volume, Mark Twain turned his comic genius to a period that fascinated and repelled him in equal measure: medieval and Renaissance Europe. This lost world of stately pomp and unspeakable cruelty, artistic splendor and abysmal ignorance—the seeming opposite of brashly optimistic, commercial, democratic nineteenth-century America—engaged Twain’s imagination, inspiring a children’s classic, and astonishing fantasy of comedy and violence, and an unusual fictional biography. Twain drew on his fascination with impersonation and the theme of the double in The Prince and the Pauper (1882), which brilliantly uses the device of identical boys from opposite ends of the social hierarchy to evoke the tumultuous contrasts of Henry VIII’s England. As the pauper Tom Canty is raised to the throne, while the rightful heir is cast out among thieves and beggars, Twain sustains one of his most compelling narratives. A perennial children’s favorite, the novel brings an impassioned American point of view to the injustices of traditional European society. A Connecticut Yankee in King Arthur’s Court (1889) finds Twain in high satiric form. When hard-headed Yankee mechanic Hank Morgan is knocked out in a fight, he wakes up in Camelot in A.D. 528—and finds himself pitted against the medieval rituals and superstitions of King Arthur and his knights. In a hilarious burlesque of the age of chivalry and of its cult in the nineteenth-century American South, Twain demolishes knighthood’s romantic aura to reveal a brutish, violent society beset by ignorance. But the comic mood gives way to a darker questioning of both ancient and modern society, culminating in an astonishing apocalyptic conclusion that questions both American progress and Yankee “ingenuity” as Camelot is undone by the introduction of advanced technology. “Taking into account . . . her origin, youth, sex, illiteracy, early environment, and the obstructing conditions under which she exploited her high gifts and made her conquest in the field and before the courts that tried her for her life—she is easily and by far the most extraordinary person the human race has ever known.” So Twain wrote of the heroine of Personal Recollections of Joan of Arc (1896), his most elaborate work of historical reconstruction. A respectful and richly detailed chronicle, by turns admiring and indignant, Joan of Arc opens a fascinating window onto the moral imagination of America’s greatest comic writer. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. |
Contenido
The Tournament | 9 |
Beginnings of Civilization | 10 |
The Birth of the Prince and the Pauper II | 11 |
Toms Early Life | 12 |
Freemen | 13 |
Defend Thee Lord | 14 |
Sandys Tale | 15 |
Morgan le | 16 |
Toms First Royal Dinner | 41 |
The Question of the Seal | 45 |
The River Pageant | 48 |
The Prince in the Toils | 51 |
At Guildhall | 59 |
The Prince and His Deliverer | 64 |
The Disappearance of the Prince | 74 |
Le Roi Est MortVive le Roi | 79 |
Toms Meeting with the Prince | 17 |
In the Queens Dungeons | 18 |
KnightErrantry as a Trade | 19 |
The Ogres Castle | 20 |
The Pilgrims | 21 |
The Princes Troubles Begin | 23 |
The Escape | 24 |
Hendon Hall | 25 |
Disowned | 26 |
Tom as a Patrician 47 | 27 |
The Sacrifice | 28 |
To London | 29 |
Toms Progress | 30 |
The Recognition Procession | 31 |
Coronation | 32 |
Edward as King | 33 |
Tom Receives Instructions | 34 |
Tom as King | 90 |
CONCLUSION Justice and Retribution NOTES | 100 |
The State Dinner ΙΟΙ | 101 |
FooFoo the First | 104 |
The Prince with the Tramps | 114 |
The Prince with the Peasants | 122 |
The Prince and the Hermit | 127 |
Hendon to the Rescue | 133 |
A Victim of Treachery | 138 |
PERSONAL RECOLLECTIONS OF JOAN OF ARC | 541 |
Book I | 555 |
Book II | 613 |
Book III | 839 |
Chronology | 973 |
Note on the Texts | 1022 |
Otras ediciones - Ver todas
Mark Twain: Historical Romances (LOA #71): The Prince and the Pauper / A ... Mark Twain,Susan K. Harris Vista de fragmentos - 1994 |
Mark Twain: Historical Romances (LOA #71): The Prince and the Pauper / A ... Mark Twain Sin vista previa disponible - 1994 |
Mark Twain: Historical Romances (LOA #71): The Prince and the Pauper / A ... Mark Twain Sin vista previa disponible - 1994 |
Términos y frases comunes
answer armor army asked battle began begged Bishop of Beauvais body called Camelot Canty castle Cauchon Chapter child Church Clairoix Clemens clothed command court creatures crowd dead death Domremy dream Duke Duke of Burgundy English eyes face father fell France French friends Gawaine girl grace Guenever hand hath head hear heard heart Hendon honor horse hundred Jacques d'Arc Joan of Arc Joan's king king's knew La Hire laugh Livy look lord matter Merlin mind moved never night noble Noël Orleans Paladin person pity poor presently priest prince Prince of Wales prisoner rags rest Richemont royal sent shout Sir Kay Sir Launcelot soldier sort speak stand stood sword talk tell thee thing thou thought tion told Tom Canty took trouble turned voice wait wanted wonder words