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OF

THOMAS MOORE,

AUTHOR OF "IRISH MELODIES,” “ LALLA ROOKH,"

Erc., Erc, ETC.

BY JAMES BURKE, A.B.,

BARRISTER-AT-LAW.

AUTHOR OF “ABRIDGMENT OF LINGARD'S ENGLAND,”

ETC.

“Dear Harp of my Country, in darkness I found thee,

The

cold chain of silence had hung o'er the long
When proudly, my own Island Harp, unpoun thee,

And gave all thy chords to light, mondom, and song

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DUBLIN:
JAMES DUFFY AND SONS, 15, WELLINGTON Quay,

AND

la, PATERXOSTER Row, LONDON.

210.

m

842

DUBLIN :

Printed by James Moore,

2, CRAMPTON Quar.

CONTENTS.

PAGE

6
8

9
23

29
36

40
51
54
55

Preface to the First Edition,

Preface to the Centenary Edition,
Moore's Early Life-School days-ode to his School

master-Career in Trinity College,

Translation of Anacreon,

Poems on America-Moore goes to Bermuda as Re-

gistrar-Leaves Bermuda and travels through

the States and Canada,

Serious Satires,

The Irish Melodies-loore's greatest work—Moore's

observations upon the connection between Irish

History and Music,

Sacred Songs,

Evenings in Greece,

Lalla Rookh,

Entertainment to Moore in Dublin, in 1818–Speeches

of Moore, O'Connell, Sheil, etc., etc,
Rhymes on the Road-Moore's visit to Lord Byron at

Venice-Moore's visit to Rome,

Loves of the Angels,

Captain Rock-Character of the work,
Life of Sheridan-Character of Sheridan as drawn by

Moore-Monody on the Death of Sheridan,

Moore's visit to Scott at Abbotsford,

The Epicurean,

Moore's Speech in Dublin on the French Revolution

of 1830,

Moore's Life of Byron,

Life of Lord Edward Fitzgerald-Moore's opinions

on the struggle of 1798,

Travels of an Irish Gentleman in Search of a Roli-

gion,

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PREFACE TO THE FIRST EDITION.

I cannot but feel that to soine extent I am open to the charge of presumption, in having attempted so ambitious a task as to sketch the Great Master of Irish Song. The best apology I can plead for my boldness is, that in the following delineation of our National Poet, I have touched the canvass as seldom as possible, and have generally left it to the powerful pencil of MOORE himself, or of some illustrious contemporary, to delight the beholder with that brilliant colouring which I should have in vain attempted to produce.

Nationality has been steadily kept in view in this volume, and I have, therefore, dwelt with especial interest on those portions of Moore's poems and scarcely less melodious prose, which treat with glowing eloquence of the ancient glories and the protracted struggles of our country, her joys and her sorrows, her triumphs and her woes. As far as lay within the power of my humble pen,

I have endeavoured to destroy the idea so industriously propagated in several English and Scotch sketches of MOORE, that he was but the gilded butterfly of

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