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" At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead... "
Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions - Página 206
por Samuel Taylor Coleridge - 1834 - 351 páginas
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A Dictionary of Literary Devices: Gradus, A-Z

Bernard Marie Dupriez - 1991 - 545 páginas
...force the same thing or idea (see Fontanier, p. 332). See also Quillet and Robert (meaning 2). Exx: 'At her feet he bowed, he fell, he lay down: at her feet...he fell; where he bowed, there he fell down dead' (Judges 5:27); To dig down deep enough to find the truth, / To penetrate and check, balance and sift'...
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Men Writing the Feminine: Literature, Theory, and the Question of Genders

Thaïs E. Morgan - 1994 - 207 páginas
...she had foretold. The second, on the murder of Sisera, declares Jael's supremacy and his fall: "At her feet he bowed, he fell, he lay down: at her feet...he fell: where he bowed, there he fell down dead" (27). And the third, half in sympathy, half gloatingly, renders the anguished voice of his mother:...
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Rotherham's Emphasized Bible

1208 páginas
...and pierced through his temples : 27 < Between her feet > he bowed — he fell, he lay, — < Between her feet> he bowed — he fell, < Where he bowed > || There || he fell— destroyed ! 28 < Through the window > looked out and shrilly cried. The mother of Sisera, through the...
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Dwelling in Possibility: Women Poets and Critics on Poetry

Yopie Prins, Maeera Shreiber - 1997 - 373 páginas
...Deborah: awake, awake, utter a song: Arise Barak, and lead thy captivity captive, thou Son of Aniboam. At her feet he bowed, he fell, he lay down: at her feet...bowed, he fell; where he bowed there he fell down dead. Why is his Chariot so long in coining? Why tarry the Wheels of his Chariot? (in Wordsworth and Coleridge...
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Women in Myth

Bettina L. Knapp - 1997 - 270 páginas
...fact that the two had had sexual relations in the tent, support their view by the following lines: "at her feet he bowed, he fell, he lay down: at her feet...he fell: where he bowed, there he fell down dead" before Jael who stands erect (Judg. 5:27). According to the Masoretic text: At her feet he sunk, he...
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A Dictionary of Modern English Usage

Henry Watson Fowler - 1994 - 742 páginas
...of a word or phrase in successive clauses or sentences. At her feet he bowed, he fell, he lay doom : at her feet he bowed, he fell : where he bowed, there he fell doten dead. anastrophe (Rhet.) ; ' reversal '. Upsetting, for effect, of such normal order as preposition...
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Demand My Writing: Joanna Russ, Feminism, Science Fiction

Jeanne Cortiel - 1999 - 254 páginas
...she smote Sisera, she smote off his head, when she had pierced and stricken through his temples. At her feet he bowed, he fell, he lay down: at her feet...he fell: where he bowed, there he fell down dead. (King James Version) When Jael, who is also the speaking subject at that point, kills Boss, she uses...
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Holy Writ as Oral Lit: The Bible as Folklore

Alan Dundes - 1999 - 131 páginas
...same event. The telltale sign of orality is also signaled by the poetic repetition as a finale: "At her feet he bowed, he fell, he lay down: at her feet...he fell: where he bowed, there he fell down dead" (Judg. 5:27). Another contrasting set of versions describing the death of an individual is found in...
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The Cambridge History of the English Language, Volumen4

Richard M. Hogg, Norman Francis Blake, Suzanne Romaine, Roger Lass, R. W. Burchfield - 1992 - 783 páginas
...lexical repetition. It is this combination that creates a sublime style from simple language: (58) At her feet he bowed, he fell, he lay down: at her feet,...he fell; where he bowed, there he fell down dead. Such repetitions, he claims, are part of a natural rather than an artificial rhetoric because they...
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Love's Labour's Lost

William Shakespeare - 2001 - 500 páginas
...superfluity, — when in the highest degree, — in lyric repetitions and sublime tautology — (at her feet he bowed, he fell, he lay down; at her feet...he fell; where he bowed, there he fell down dead], — and, in lower degrees, in making the words themselves the subjects and materials of that surplus...
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