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" Who hath sent out the wild ass free? Or who hath loosed the bands of the wild ass? Whose house I have made the wilderness, And the barren land his dwellings. He scorneth the multitude of the city, Neither regardeth he the crying of the driver. The range... "
The Cottage magazine; or, Plain Christian's library - Página 197
1842
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The United States Speaker: A Copious Selection of Exercises in Elocution ...

John Epy Lovell - 1844 - 504 páginas
...against Sisera. SPECIMENS OF ANCIENT ELOQUENCE. 1. SELECTION FROM CHAPTER XXXIX OF THE BOOK OF JOB. Who hath sent out the wild ass free ? or who hath loosed the bands of the wild ass ? He scorneth the multitude of the city, neither regardeth he the crying of the driver. The range of...
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A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and ...

Edmund Burke - 1844 - 219 páginas
...description of such an animal could have had nothing noble in it. Who hath loosed, says he, the, bands nf the wild ass, whose house I have made the wilderness, and the barren land his dwellings 1 He scorneth the multitude of the city, neither regardeth he the voice of the driver. The range of...
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Sermons

Henry Melvill - 1844 - 561 páginas
...might have been a loftier bidding, Go ye to the wilderness and command hither the untamed thing which " scorneth the multitude of the city, neither regardeth he the crying of the driver ;" or, " Go ye to the Sanhedrim, and demand of the haughty assembly that they furnish my humble equipage,...
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The Creation: A Series of Letters from a Father to His Children

William Graeme Rhind - 1844 - 398 páginas
...inhabits, as it seldom drinks. The following passage in Job gives the natural history of the ostrich. " Whose house I have made the wilderness, and the barren land his dwellings. . . . Gavest thou the goodly wings unto the peacocks? or wings and feathers unto the ostrich ? Which...
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The Prairie-bird, Volumen3

Sir Charles Augustus Murray - 1844
...Book of Job, ' Who hath sent out the wild-ass free ? or who hath loosened the band of the wild-ass ? whose house I have made the wilderness, and the barren land his 'dwelling? He scorneth the multitude of the city, neither regardeth he the crying of the driver. The...
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Readings from the Holy Scriptures

Jewish Publication Society of America - 1942 - 512 páginas
...Their young ones w?x strong, they grow up in the open field; They go forth, and return not again. 5 Who hath sent out the wild ass free? Or who hath loosed the bands of the wild ass? 6 Whose house I have made the wilderness, And the salt land his dwelling-place. 7 He scorneth the tumult...
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Holy Bible

Zondervan, Zondervan Publishing House - 1984 - 928 páginas
...Their young ones are in good liking, they grow up with corn; they go forth, and return not unto them. 5 nd the wild beast of the field doth devour it. 14 Return, we beseech thee, O God o 6 Whose house I have made the wilderness, and the barren land his dwellings. 7 He scorneth the multitude...
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The Atlantic Monthly, Volumen73

1894
...senses, and sees an infinite universe before him. Like the wild ass described in the book of Job, " he scorneth the multitude of the city, neither regardeth he the crying of the driver." He shakes off the shackles of life and time, and soars to the "fourth dimension." He penetrates the...
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The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory

Andrew Ashfield, Peter de Bolla - 1996 - 314 páginas
...otherwise the description of such an animal could have had nothing noble in it. Who hath loosed (says he) the bands of the wild ass? whose house I have made...the multitude of the city, neither regardeth he the voice of the driver. The range of the mountains is his pasture. The magnificent description of the...
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Hope Leslie, Or, Early Times in the Massachusetts

Catharine Maria Sedgwick - 1998 - 399 páginas
...English Kingdome from this Indian dust." 2. Job 39.5, 7: "Who hath sent out the wild ass free? ... He scorneth the multitude of the city, neither regardeth he the crying of the driver." 3. From Morrell's New-England. 4. Maqua was another name for Mohawk (used, for example, by Cooper in...
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